john jeffreys
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I'm on an other continent too, but I think the lenses I'd suggest for a test are abundant in the US as well: Minolta SR glass (aka MD/MC) !
Some people call them poor man's Leicas, and that's not far off, since they cooperated for quite a while and Minolta even made some lenses for Leica (their very first zoom, for example). Expect not only excellent optical and mechanical craftsmanship, but one thing that makes them stand out for film use: Minolta made their own glass and took great care to make colors look the same through all the range!
Apart from some very old versions with Thorium, which got yellow with age, it still holds true for all the rest. If everything else is the same, you don't need much of a color correction when changing lenses.
So, go for them! Most of these are still less popular than Nikon or Canon FD and can be found for attractive prices. I would challenge a manual Nikkor 50mm 1.4 any time with my Rokkor PG 50mm 1.4, for example, and it comes far cheaper.
Only a few gems, like the 58mm 1.2, the 85mm Varisoft or the 24mm Variable Field Curvature fetch high prices. Yes, I got them all before they went through the roof ;-)
How do you fix them to an Epic? Easy: get the Leica-M mount, there is an adapter from MD/MC to Leica-M.
Very interesting. Those lenses are very cheap too... I think I might pick up a few and test them out. Thanks for the info!

