Will Keir
Well-known member
I thought Jim set it straight, the native ISO on the epic is 800. Still, I see fellow REDUSERS swearing by 320.
What are you guys shooting at?
What are you guys shooting at?
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People who claims its 320 ISO tests with gray card and lightmeter..
Exactly. It's not really a matter of opinion. The sensor sees what it sees, changing the ISO does not increase the amount of photons actually collected by the sensor. When you shoot at 800 ISO you are effectively under-rating the sensor by 1 1/3 stops and "printing up." There's nothing wrong with this, but you should be aware of what's happening. Personally, I prefer to split the difference and shoot at 500 ISO unless I'm in a really low light situation or dealing super hot highlights that I need to protect.It was stated long ago. Native ISO of the MX sensor is 320. Having said that, the camera has been designed to give you the most latitude at 800. They recommend 800, Native is 320.
Shooting at ISO 320 is a really excellent way to trash a stop and a third of your highlight range. There are certainly times I've liked the look of a shot I exposed at 800 set back down to 320 in RCX pro but I've never intentionally set the camera to 320 ISO, it's a waste and if you're friend can't get a good looking image at 800 he either needs to learn proper exposure techniques or send in his camera for repair.
Never had a noise problem at 800. 320 is fine also, but you should not have noise issues at 800 unless you have no light hitting the sensor.
"Native" is a misnomer, it implies there is only one answer. The real answer is whatever works for you, personally I feel I have the most dynamic range, and best tonal rendering with the most pleasing image texture at 800 ISO therefore that is my "Native". If another DP has a different esthetic that more closely fits 320 ISO then that can be his "Native" ISO. There is NO I repeat NO absolute ISO for any imaging device that records RAW. Film had an ISO that was formulated into the emulsion as well as a characteristic curve, these could be manipulated somewhat in processing but it was pretty much set. This just does not apply to linear digital imagers the same way.
Then Jon, maybe you can help the guys on this thread.
http://www.reduser.net/forum/showthread.php?85957-Slowmo-footage-very-noisy-all-of-a-sudden
Which is a problem and a major hurdle many new or "would be users" encounter. It's not a mystery why some choose to shoot Alexia, despite Epic's advantages. It's a camera system, it has specs, specs are absolute, like MTF on lenses.
"Whatever works for you, is great for those with experience and skill," but quite confusing for those new to digital or the Epic camera system. We do need clarity.
choose to not jump