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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

DaVinci Resolve 7.1 Update

Rohit Gupta

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Milpitas, CA - December 22, 2010 - Blackmagic Design announced today a major update to DaVinci Resolve, the world’s most popular high-end color grading system on Mac OS X and Linux.

The new DaVinci Resolve 7.1 now adds DaVinci's legendary clustered multi GPU processing power to Mac OS X systems when used with a PCI Express expansion chassis. The new DaVinci Resolve 7.1 also includes greater control through upgraded support for Tangent Wave™ control surfaces and support for the JL Cooper Eclipse CX control surface. New file formats and codes supported in DaVinci Resolve 7.1 include Arri Alexa ARRI RAW , Phantom Cine, high dynamic range OpenEXR and more.

This major update is available today for download from the Blackmagic Design DaVinci website for all existing DaVinci Resolve customers at no charge.

With the new DaVinci Resolve 7.1 update, Mac OS X users can now take advantage of a massive improvement in processing power by installing multiple high performance GPUs. This “super computer” processing power, previously only available on Linux systems, smashes the single GPU limit for a single computer and lets customers increase processing power simply by adding additional GPUs as their businesses grow.

Also supported in the DaVinci Resolve 7.1 update is the ATI 5770 graphics card for the user interface and the Cubix x16 PCI Express expansion chassis for use with multiple GPUs. Support for the expansion chassis allows flexibility to install additional storage, video capture cards, multiple Nvidia Quadro 4000 GPU processing cards, and Red Rocket cards. This means customers get greater cost savings and complete freedom to build high performance color correction systems on Mac OS X.

DaVinci Resolve 7 introduced support for third party control surfaces, and DaVinci Resolve 7.1 expands this support. Now included are more menus on the Tangent Wave™ control surface including menus for stereoscopic 3D and version control, individual adjustments for curves and image clipping, direct access to stills and memories and new keyer controls for post mixing offsets. DaVinci Resolve 7.1 also adds support for the popular JL Cooper Eclipse CX control surface. Only DaVinci Resolve 7.1 gives colorists a complete range of options from mouse or tablet operation, third party control surfaces and the premium Blackmagic DaVinci Resolve control surface.

As the post production and film industries are rapidly advancing into higher quality digital film production, DaVinci Resolve 7.1 includes a wide range of new file formats and codec support for the latest professional cameras and scanners. New file formats include native real time support for Arri Alexa ARRI RAW and D-21 ARRI RAW , Phantom Cine files, OpenEXR in uncompressed and compressed formats, Sony MPEG-4 SStP (Simple Studio Profile) and Sony XDCAM files in QuickTime format. Because support for real time grading direct from Arri Alexa ARRI RAW files is handled in the GPU, no extra hardware is required. No other color correction system available today supports as many high-end DI file formats for real time color correction on Mac OS X.

DaVinci Resolve 7.1 also includes new Stereoscopic 3D color grading controls, including timeline slip to sync left and right eye, auto left and right eye color matching, pitch and yaw keystone control and side-by-side and line-by-line rendering. This new update adds additional project configurations including improved drop frame timecode support, 720p50 and 720p conforming, 1080p50, 1080p59.94 and 1080p60 monitoring as well as automatic multi project ColorTraceTM support for transferring digital dailies grades.

This new software update adds new user interface displays including clip count display on the color screen primary grading tab, session duration display on the conform screen, a new slate option to show source clip name and additional autosave options. DaVinci Resolve 7.1 also enhances RED grading controls by including REDcolor2 and Adobe 1998 colorspace support, REDgamma2 gammaspace support, automatic camera metadata support for HFlip and VFlip, ganged adjustment of decode settings and support for saving RED metadata in stills for copy and paste.

"I am so excited to see these high-end professional digital film production file formats all working in real time with clustered GPU processing power in DaVinci Resolve on Mac OS X based systems!" said Grant Petty, CEO, Blackmagic Design. “DaVinci Resolve was already real time on Mac OS X, but now it's perfect for high-end digital film work and because it supports more control surfaces and more native DI file formats from the latest digital cinema cameras, it's going to smash any affordability and creativity barriers for digital filmmakers, post production and program producers! It's an extremely exciting time, and I cannot wait to see the creative results from DaVinci colorists worldwide!"

Availability and Price

DaVinci Resolve 7.1 is available immediately for download from the Blackmagic Design website at www.blackmagic-design.com/support/software/ free of charge for all existing DaVinci Resolve 7 users. DaVinci Resolve 7.1 for Mac OS X starts at only US$995 and is available from Blackmagic Design resellers worldwide. See www.blackmagic-design.com/davinci/ for details.
 
This is a huge update!
I was just processing out some Phantom Cine files to DPX and hating the speeds at which it was rendering. Coloring at faster speeds on high end media is amazing, but the doors have opened for also using this is a processing unit!
 
This is an error I am getting when ever I try to downloadthis update from the blackmagic site:
" ADODB.Command error '800a0d5d'
Application uses a value of the wrong type for the current operation.
/support/software/register.asp, line 51"


Just curious if anyone else has successfully downloaded?
 
How many graphic cards can you add to the cubix expansion box?
Paul
 
Wow amazing update! What I didn't understand from the text: is the Cubix x16 needed to use multiple GPUs or can I instead plug them right into my mainboard if there are PCIx16 available?

You can plug them into the mainboard if there are slots. On a current Mac Pro, the only config which might work well is:

Slot1: Q4000/Mac
Slot2: Q4000/Mac
Slot3: GT120
Slot4: Decklink 3/3D/3D+
 
But the total of 40 lanes still applies even with the use of Cubix, correct? Wouldn't this release be really useful for multi GPU use only after the release of new Mac architecture, that uses the new south bridge?
Nevertheless, cudos on the upgrade, very impressive achievement. I may need to give it a second look...
 
But the total of 40 lanes still applies even with the use of Cubix, correct? Wouldn't this release be really useful for multi GPU use only after the release of new Mac architecture, that uses the new south bridge?
Nevertheless, cudos on the upgrade, very impressive achievement. I may need to give it a second look...

That only applies if you are maxing out all of the 40 lanes. I believe most cards do not really use the full bus speed.
 
That only applies if you are maxing out all of the 40 lanes. I believe most cards do not really use the full bus speed.

Two FX4000 will use full 16x2=32 lanes. That leaves only 8 lanes for GT120, Decklink or RR. Unless I'm missing something, I don't see how this is going to work on todays Mac...
 
This is frikkin' awesome! Thanks Rohit!

Blackmagic don't just get it, they are leading the charge. Doing what RED did, except in post :)

Wow - RedColor2, wonderful OpenEXR support (great, because that's my internal file format already for everything)... better 3D... yaay!

Even better is seeing Blackmagic really staying true to their word and not restricting the Mac version in terms of GPUs, etc.

The post-production world has really really opened up wonderfully since a year ago!

Really, for filmmakers, there are no more excuses :) We have the tools we need - the best ones in the industry - at a price we can afford. DaVinci gives us more power than we could have dreamed of in an affordable system - and teamed up with Storm plus our NLE of choice, we really have an unstoppable, affordable filmmaking platform. All of the pieces have fallen into place - and this is just the beginning.

Two FX4000 will use full 16x2=32 lanes. That leaves only 8 lanes for GT120, Decklink or RR. Unless I'm missing something, I don't see how this is going to work on todays Mac...

Two FX4000 don't HAVE to use 16 lanes each, I don't think? For 95% of applications, you can get away with 8 lanes each - no problem. Probably will be fine with Resolve too.

Bruce Allen
www.boacinema.com
 
Two FX4000 will use full 16x2=32 lanes. That leaves only 8 lanes for GT120, Decklink or RR. Unless I'm missing something, I don't see how this is going to work on todays Mac...

PCI Express expansion chassis like the Cubix is how...when being used in GPGPU mode an nvidia card is often only using 1 or 2 lanes. With a Cubix you could add on up to 8 4x slots. If you look at Davinci's Linux offerings this is how they do it currently.
 
Amazing news. It was amazing already with one gpu. Kudos to BM !
 
great update!

One question guys, when you're finished with your color correction, where do you present the final product?, inside Resolve, or do you export a QT and play it inside final cut? my concern is sound, I don't think you can play the image along a multi channel 5.1 mix.

Testing the new version...
 
great update!

One question guys, when you're finished with your color correction, where do you present the final product?, inside Resolve, or do you export a QT and play it inside final cut? my concern is sound, I don't think you can play the image along a multi channel 5.1 mix.

Testing the new version...

smoke would be an alternative
gotta save for smoke and hope they will support BM in the near future
 
Wow! Fantastic update. Anybody in Aus wanna buy a virtually new Eclipse? We replaced it with the Davinci panels and it's been on the shelf ever since.

Time to order another Nvidia card!
 
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