IAN SUN
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Jim, is this development advanced enough that now more likely to see HDR mode enabled upon release?
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I'm very much enjoying the speculation. (But not nearly as much as I'm enjoying the images and movies).
Graeme
Geordie, or nearly enough, like, y'na.
Graeme
Love the speculation.
Jim
I'll give you some clues on HDRx©...
1. What we are doing has never been done before.
2. We have different (variable) HDRx© modes.
3. The test Michael Cioni saw was 18 stops.
4. We have a lot of work to do to characterize and implement variable HDRx© in EPIC.
5. We need a new chart.
More details when we have the faintest idea of what we are doing...
Jim
I didn't know you are from the North East of England. Newcastle, perhaps?
If Jim teased you to the point you suddenly jumped off your third floor window breaking every geek bone in your body, you would still have to fight the urge to thank him.
He is the most interesting man alive.![]()
I'm very much enjoying the speculation. (But not nearly as much as I'm enjoying the images and movies).
Graeme
I'll give you some clues on HDRx©...
1. What we are doing has never been done before.
2. We have different (variable) HDRx© modes.
3. The test Michael Cioni saw was 18 stops.
4. We have a lot of work to do to characterize and implement variable HDRx© in EPIC.
5. We need a new chart.
More details when we have the faintest idea of what we are doing...
Jim
OK, let me try:
Solutuion 1 - No temporal artefacts:
Because EPIC can do 120fps, we can do temporal 5x sub-subsumpling. That's just over 2 stops increase with no motion artefacts. Simply, divide the exposure time by 5 smaller exposures, average for highlights, sum for blacks.
Subsumpling more is bandwidth limited. Noise would go down with additive effect of sub-samples, some pixel massaging may result in, say 3 extra stops. 13 + 3 = 16 stops that's certainly HDR territory.
Solution 2 - With temporal artefacts:
Same as 1, but samples have different exposure time of each sub-sample.
The motion artefacts may be minimised by interleaving short and long exposures within a single integrated frame. Motion blur may be fragmented.
Clearly 16+ stops limited only by the highest shutter speed.
Am I close? :banghead:
Went to University and taught in Newcastle. I come from down the road in Durham.
Graeme
I'll take that as confirmation that the test indicates a capability beyond 18 stops :laugh:
The fact that it is variable I'll take to mean that there is a (are) tradeoffs.
Nope.
Jim