Z CAM E2-F6 Pro Full-Frame Camera with 5″ Touchscreen Monitor now shipping

[rand thompson]

Z CAM E2-F6 Pro Full-Frame Cinema Camera with 5″ Touchscreen Monitor (Canon EF) is now shipping


BY Newsshooter


Article
Z CAM E2-F6 Pro Full-Frame Cinema Camera with 5" Touchscreen Monitor (Canon EF) is now shipping - Newsshooter


Z-CAM WEBSITE
E2-F6 Pro - Z CAM (z-cam.com)



BHPhotovideo Website
Z CAM E2-F6 Pro Full-Frame Cinema Camera with 5" E1911 B&H Photo (bhphotovideo.com)

 

[rand thompson]

RANCH | Z CAM E2-F6 PRO


ByExigent Films

 

[rand thompson]

Z Cam F6 Pro has reached it’s Final Form | NAB 2023


By James Jackson Films

 

[rand thompson]

Here's a link to the VIMEO Z-Cam E2 range of cameras footage( You'll have to copy and paste the link since REDUSER seems to not be able to link directly to VIMEO anymore)
https://vimeo.com/search?q=z-cam+e2

 

[rand thompson]

The New ZCAM E2 F6 Pro Camera


By Happy Rabbit Productions

 

[Zack Birlew]

The ZCAMs have always looked interesting, the image is very good and I like the expansion options for everything from lenses to batteries, media, and monitoring, very expandable system. My only issue has been the placement of these cameras, they line up right with some other interesting options from the usual name brands so it's a little tricky to pick ZCAM over the competition, at least depending on what you're wanting to do. I can see they refined a more popular model but I'd like to see their F8 8K model get an update, it seems like nobody's touched it at all based on a quick Google search for test videos and it seems like a nice performer based on what little there is, so strange.

 

[rand thompson]

The ZCAMs have always looked interesting, the image is very good and I like the expansion options for everything from lenses to batteries, media, and monitoring, very expandable system. My only issue has been the placement of these cameras, they line up right with some other interesting options from the usual name brands so it's a little tricky to pick ZCAM over the competition, at least depending on what you're wanting to do. I can see they refined a more popular model but I'd like to see their F8 8K model get an update, it seems like nobody's touched it at all based on a quick Google search for test videos and it seems like a nice performer based on what little there is, so strange.

I still think the Komodo/X beats this easily but they are more expensive. I think it offers alot for the money. I just think that they need to work more on their raw codec or at least offer ProRes 4444 XQ internally. And maybe work on a Color Depth of 12-Bit or even 16-Bit for Z-Log instead of the 10-Bit Depth they have now. That will make them more competitive.

 

[Zack Birlew]

More manufacturers need to go 16-bit, lots of great work done on 10-bit and 12-bit but 16-bit is the goal until tech goes beyond that.