WTB: Red Pro Anamorphic Primes

[Jon MIchael Puntervold]

The competition is almost here.

 

[Andrew Ceperley]

No distortion? No breathing? Count me out. That's not anamorphic. Even Hawks have the classic barrel distortion on the wider end.

 

[Jon MIchael Puntervold]

No distortion? No breathing? Count me out. That's not anamorphic. Even Hawks have the classic barrel distortion on the wider end.

Hehe, at least they have blue streaks still.

 

[Bruce Allen]

Well, barrel distortion can be added in post.

Adding blue streaks in post is not as much fun.

So, yeah. Want

Bruce Allen
www.boacinema.com

 

[David (dudi) Namir]

My Kowa anamorphic are just there
http://www.dnkarentals.com/kowa/

 

[Tanner Field]

If these are still in the pipe, I'm guessing their release would coincide with a future FF35 Epic. Or maybe the plug has just been pulled. Hope not...

 

[Jon MIchael Puntervold]

They should not pull the plug. I'm waiting for the 16mm RPP and Anamorphic RPP's (they will be perfect on the Dragon)

Red makes the only reasonable priced modern PL-lenses. And it's good to have ultra-sharp and clean lenses as a part of the palette.

Hope they manage to bring their Anamorphic Primes at about the same time as Arri's.

 

[Jon MIchael Puntervold]

My Kowa anamorphic are just there
http://www.dnkarentals.com/kowa/

Btw: The Good, the bad and the ugly were not shot on anamorphic lenses.

 

[Andrew Ceperley]

Well, barrel distortion can be added in post.

Adding blue streaks in post is not as much fun.

So, yeah. Want

Bruce Allen
www.boacinema.com

Why would I add it in post when I can get the look organically in camera?

 

[David (dudi) Namir]

Btw: The Good, the bad and the ugly were not shot on anamorphic lenses.

I know that why I wrote anamorphic format and not with anamorphic lenses.

:thumbsup:

 

[Ryan Patrick O'Hara]

Not just Arri/Zeiss... but Angineuix, Cooke, Scorpio, Hawk and others all rumored or confirmed to be announcing anamorphic doings at recent shows or at the upcoming NAB '13.

NAB seems to be the 'now or never' moment because the market is about to flood with modern anamorphics.