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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Wrapping my mind around MX..

You also have to think about the fact that the noise in MX is not ugly like M-One noise - it looks like film grain - so a bit of noise is not so much of a problem.

For a few shots we've even deliberately under exposed to bring out some noise on a neo-1970s fashion shoot that was supposed to look a bit like 1970s 16mm film. We also shut down the iris to not exceed 16mm depth of field.
 
Rob Ruffo said:
You also have to think about the fact that the noise in MX is not ugly like M-One noise - it looks like film grain - so a bit of noise is not so much of a problem.
Click to expand...

Most of the noise carracterristics (not noise floor) comes from the jump to B30, which dramatically altered how the signal is processed.

I do M and MX everyday. The sensitiveness is different, but the noise looks prety similar...
 
Just wanted to say thanks for all the help and feedback.. My first experience on the Red MX was a success.. Im very happy with the footage..

Shot interiors at 800-1280ASA with 1.2IRND viewed in RedColor.. Colored in RedcineX.. Very happy.. The MX is a wonderful chip.. Thank You

I'll post the final when it gets released.

Cheers
 
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