Kaku Ito
Well-known member
- Joined
- Feb 20, 2008
- Messages
- 2,803
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- Age
- 65
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- Chiyoda-ku, Tokyo
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- www.dittok.info
Hello,
I wanted to find out how I should understand the nature of the color space in REDCINE and wondering the members here can help.
There's the (I guess) input color space choices and sometimes don't seem to change much. I was told to keep it at camera gamma, but is this correct? If that is the case why are there other choices?
Also, I understand about working in REC709 for broadcast, but say I did the 1st light in REDCINE with broadcast monitor in REC709, but maybe to export DPX. I switch to REDLog to export as DPX but would I have to make different grade adjustment after switching from REC709 to DPX? Or I shouldn't be grading with REC709 to begin with for DPX exporting?
Thank you for your help in advance.
I wanted to find out how I should understand the nature of the color space in REDCINE and wondering the members here can help.
There's the (I guess) input color space choices and sometimes don't seem to change much. I was told to keep it at camera gamma, but is this correct? If that is the case why are there other choices?
Also, I understand about working in REC709 for broadcast, but say I did the 1st light in REDCINE with broadcast monitor in REC709, but maybe to export DPX. I switch to REDLog to export as DPX but would I have to make different grade adjustment after switching from REC709 to DPX? Or I shouldn't be grading with REC709 to begin with for DPX exporting?
Thank you for your help in advance.