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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Women, Jazz and Shoes

Jochen Schmidt-Hambrock

Jochen Schmidt-Hambrock

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Here are a few frames from a short I did called "Women, Jazz and Shoes".
It´s about women, jazz and ......

DP was Wedigo von Schultzendorff, 1st AC: Emanuel Schwermer, Baselight Colorist: Phillipe Schmid

4K, 2:1, Masterprimes

All jaggies, blocks and softness is jpg´s fault.

Enjoy,

Jochen

EDIT: More stills on 2nd page.
 
Alles Gut Josch!

E. :-)
 
Lady looks very enthusiastic like a

masterprime night witness.

I can see that John Cassavetes "Love Streams" sort of movie spirit in the air.

Very good.
 
The Third Man said:
I can see that John Cassavetes "Love Streams" sort of movie spirit in the air.

Very good.
Click to expand...

Ahhh, completely forgot about Cassavetes. How did that happen? Didn´t event think that name for years.

Thank you for the reminder - and the compliment. Of course I had to order the Cassavetes Collection after reading your post. :-)

Jochen
 
Quote>>plot>>"Love Streams">>

"The decadent life of Robert is made of alcohol,
cigarettes, and short-time relationships with women; women he interviews
for a book, he spends a weekend with at a casino or fall in love with for the
fun of an evening (Diahnne Abbott and her mother). Having no constraints,
he is unable to be responsible for anything including the care of his son,
leaving him alone in an hotel room and teaching the 12-years old boy how to drink.
His life is made of his own phantasms as an artist."


More>>>

Love_Streams.jpg


BTW. John Cassavetes is described as a father of American independent filmmaking.

More about John Cassavetes>>>
 
So, yesterday "Women, Jazz and Shoes" opened the "Digitale Cinematographie" in Munich, Germany.

It got a 2K screening in the IMAX theater of the Deutsche Museum and received a very good response. Spontanously the film got a second screening a bit later in the same theater.

The producer Julia Volk and me had to answer audience questions for about 10 minutes after both shows. Mostly - not surprisingly, considering the surroundings - about shooting with the RED.

Watching an IMAX size screening of your work is a bit scary, but all went really well.

Cheers,

Jochen
 
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