Mark L. Pederson
REDuser Sponsor
I'm still formulating all my thoughts and opinions on the Epic/Scarlet system - but I'd like to point out something here.
Seems like a lot of Redusers are TORN about what to do -
Let me offer my 2 cents -
CHOOSE TO UPGRADE TO EPIC -
BUT BUY A SCARLET S35 (without the discount) -
THIS WAY - I THINK - LATER YOU CAN GET FULL CREDIT FOR YOUR RED ONE TOWARDS AN EPIC
#1: ALL SPECS ARE SUBJECT TO CHANGE - AND THEY WILL
#2: DATES ARE TARGETS - RED WILL HIT SOME, MISS SOME - AND MAYBE .. YOU NEVER KNOW ... THEY COULD EVEN BE SAND-BAGGING SOME DATES AND STUFF IS READY BEFORE THE TARGETS
If you own a RED CAMERA - and primarily do NARRATIVE work - I strongly suggest considering the Scarlet S35.
You can keep your Red One, which offers some important features and options which you will not get in the Scarlet.
You can shoot 23.98 in 5K with Redcode 42 - obviously a better image than the Red One
You can use many Red One accessories as you buy into more Epic accessories - EVF, etc. -
You can use 35mm PL glass - on Red One + Scarlet S35
I predict that the Scarlet FF35 will take longer and you will get pissed when you see everyone shooting with the S35 while you wait for your FF35
You get INTO the Scarlet/Epic system
You can BUY another Scarlet S35 and go 3D (** actually, I need to find out if you can go parallax with PL mount lenses or do you need the min-primes .. hmmmm ...?)
You get MORE lens mount options beside the 35 PL you have on your Red One
Make some more money - and then turn in your Red One for an Epic.
My 2 cents.
Seems like a lot of Redusers are TORN about what to do -
Let me offer my 2 cents -
CHOOSE TO UPGRADE TO EPIC -
BUT BUY A SCARLET S35 (without the discount) -
THIS WAY - I THINK - LATER YOU CAN GET FULL CREDIT FOR YOUR RED ONE TOWARDS AN EPIC
#1: ALL SPECS ARE SUBJECT TO CHANGE - AND THEY WILL
#2: DATES ARE TARGETS - RED WILL HIT SOME, MISS SOME - AND MAYBE .. YOU NEVER KNOW ... THEY COULD EVEN BE SAND-BAGGING SOME DATES AND STUFF IS READY BEFORE THE TARGETS
If you own a RED CAMERA - and primarily do NARRATIVE work - I strongly suggest considering the Scarlet S35.
You can keep your Red One, which offers some important features and options which you will not get in the Scarlet.
You can shoot 23.98 in 5K with Redcode 42 - obviously a better image than the Red One
You can use many Red One accessories as you buy into more Epic accessories - EVF, etc. -
You can use 35mm PL glass - on Red One + Scarlet S35
I predict that the Scarlet FF35 will take longer and you will get pissed when you see everyone shooting with the S35 while you wait for your FF35
You get INTO the Scarlet/Epic system
You can BUY another Scarlet S35 and go 3D (** actually, I need to find out if you can go parallax with PL mount lenses or do you need the min-primes .. hmmmm ...?)
You get MORE lens mount options beside the 35 PL you have on your Red One
Make some more money - and then turn in your Red One for an Epic.
My 2 cents.