Michael Kromschroeder
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What's the crop factor for shooting 2K on EPIC?
Thank's
Thank's
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Full-Frame 35mm, such as on the Canon 5D, means a 36mm x 24mm sensor. It may be easier if you just compare horizontal view rather than diagonal view since then you don't have to deal with aspect ratio affecting the diagonal length.
"Super-35" is technically 24mm wide -- which is what the Red One is in 4.5K mode. So that's a 1.5X difference with FF35 (36 divided by 24 = 1.5.)
Various widths:
36mm = FF35 / Canon 5D sensor
30mm = entire M-X sensor
27.65mm = 5.1K area of M-X sensor (Epic 5K mode)
24.4mm = 4.5K area of M-X sensor
24mm = Super-35 film
22.3mm = Canon 7D sensor (APS-C)
22.12mm = 4K area of M-X sensor
16.59mm = 3K area of M-X sensor
11.06mm = 2K area of M-X sensor
I got these figures off of the internet so some may be off a tiny bit, but they are all close enough for you to calculate the difference in field of view. Just keep in mind that there is a whole other issue of vignetting when you put a lens designed to cover a smaller sensor onto a larger sensor. But that doesn't affect focal length calculations for field of view.
The short answer is that there is a 1.25X difference in size between 4K on the Red One and 5K on the Epic. So your 18mm, assuming it doesn't vignette is going to look more wide-angle on the Epic in 5K mode than it does on the Red One in 4K mode -- it will look like you were still shooting in 4K but had switched from an 18mm to a 14.5mm in terms of the increase in field of view. But remember, you didn't change focal length, just view... I'm only talking about what you'd have to switch to on the 4K camera to match the view of the 18mm on the 5K camera. Or, if you liked the view of the 18mm on the 4K camera, you'd have to switch to a 22.5mm lens on the 5K camera to maintain the same field of view.
Thanks guys, so compared to an Alexa I have 2x crop factor on the lens when using 2 k on EPIC?