Anson Fogel
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- Sep 14, 2008
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What workarounds has anyone devised for the 4 slot limit on Mac Pros? Generally, we're talking about a machine with a Rocket, GPU, SAS/ESATA card and an Accelerator/SDI out card.
Specifically, I've gotten busier and busier with post work, and need LTO and other things, but no slots. I have a late 08 MP with Rocket, GPU, CalDigit ESATA card and a Decklink HDExtreme. I need LTO and more non Ethernet stuff. I see the options as:
1. Replace CalDigit with generic SAS or ESATA card, new main online array, and cascade LTO and/or more arrays off that. Downside: Expensive and time consuming, not clear it solves much long term.
2. Mobile-ize the rocket, get generic ESATA card, see 1 above, frees up slot. Downside, spendy, and slower transcodes and lower res preview. Upside, have mobile rocket for the occasional client who will pay for it (not often)
3. 2 Machines - Get a newer MPro, use one machine for R3d preview and transcoding and long renders in other apps, other for editing, mastering, grading, etc - big downside to me aside form cost? Noise, and above all, the need to access a fast RAID at the same time from both machines. Gig e not fast enough. Unless there is a way....but its also spendy and takes up space, makes noise, etc. But one machine could become the mobile....anyway.
4. Use Firewire or GigE for LTO archiving. Not clear how this happens either, but long overnight tape writes are ok.
And so forth. I am sure I'm not the only person who does a lot of camera and DP work, but also a lot of our own post production for some clients. We don't get paid well to do post all the time, nor do we only work as shooters and just deal with transcodes, dailies and one lights. Discuss....
Specifically, I've gotten busier and busier with post work, and need LTO and other things, but no slots. I have a late 08 MP with Rocket, GPU, CalDigit ESATA card and a Decklink HDExtreme. I need LTO and more non Ethernet stuff. I see the options as:
1. Replace CalDigit with generic SAS or ESATA card, new main online array, and cascade LTO and/or more arrays off that. Downside: Expensive and time consuming, not clear it solves much long term.
2. Mobile-ize the rocket, get generic ESATA card, see 1 above, frees up slot. Downside, spendy, and slower transcodes and lower res preview. Upside, have mobile rocket for the occasional client who will pay for it (not often)
3. 2 Machines - Get a newer MPro, use one machine for R3d preview and transcoding and long renders in other apps, other for editing, mastering, grading, etc - big downside to me aside form cost? Noise, and above all, the need to access a fast RAID at the same time from both machines. Gig e not fast enough. Unless there is a way....but its also spendy and takes up space, makes noise, etc. But one machine could become the mobile....anyway.
4. Use Firewire or GigE for LTO archiving. Not clear how this happens either, but long overnight tape writes are ok.
And so forth. I am sure I'm not the only person who does a lot of camera and DP work, but also a lot of our own post production for some clients. We don't get paid well to do post all the time, nor do we only work as shooters and just deal with transcodes, dailies and one lights. Discuss....