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What factors govern camera shake?

Anatole Sloan

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Hi,

Until recently, I've been principally shooting on an Alexa mini with Alura light-weight zooms – and occasionally hiring in other lenses as needed. (I love this forum though!).

However I've suffered a shoulder injury, so will need to go for a much lighter package on my next documentary project. Which prompted me to consider... what governs camera stability on a shoulder-rig?

The obvious thing is of course weight. But it seems to me that the distribution of the weight should itself have an impact.

For example, a rig with a V-lock on the back and a front-heavy lens should presumably have more inertia in certain aspects of rotation than a rig with the mass principally located much closer to the centre-of-gravity.

But that also only impacts pitch and yaw. If we call the length of the shoulder rig the z-axis, then roll seems to be about the distribution of weight on the x-axis and y-axis – i.e. how fat the camera is / how built up it is with accessories.

Finally, the translational movements (horizontal – x-axis; vertical – y-axis; and along z-axis) seem to be a factor of just total mass, rather than distribution of mass.

Does this seem right? And which of this movements (pitch, yaw, roll, translation) seem to be the most problematic? I find it interesting that the times I've shot with something like an FS5 with a still lens, I've really struggled with camera shake – probably to a greater degree than when shooting with a rigged up A7s.
 
Easyrig is tricky in more intimate doc environments.

Presumably you mean the GH5. Definitely on the shortlist, but I'm actually a fan of organic shoulder rig movements. Just not a fan of the sort of judder you get with lighter set ups!
 
use ef mount on the mini and canon lenses with stabilization
 
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