Cid J Salcido Uyarra
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2/3'' has a list of movies it has appeared in. Just look at the Sony F900 and modded out Panavision HD-900F.
http://en.wikipedia.org/wiki/Panavision_HD-900F
http://pro.sony.com/bbsc/ssr/product-HDWF900R/
But when I saw Sin City and The Spirit side by side comparison on Blu-Ray there is a vast difference from 2/3" to 35mm. These movies are 3 years apart but it becomes apparent that 2/3" can only hustle so much. Depending on your budget A Cam 35mm and B Cam 2/3'' would be a great option. Sometimes you need a compact camera if your using it for specific rigs and mounts. But what Director or DP at the low-budget range will go out of there way to tackle the specialty shots?
I mean, I could see SFX house buying 20 2/3'' for bullet cam or CG composite shots. Especially if they need the high speed.
Another thing, if you have a 16mm lens kit then all power to you, put them puppies to work. Good glass is always good.
http://en.wikipedia.org/wiki/Panavision_HD-900F
http://pro.sony.com/bbsc/ssr/product-HDWF900R/
But when I saw Sin City and The Spirit side by side comparison on Blu-Ray there is a vast difference from 2/3" to 35mm. These movies are 3 years apart but it becomes apparent that 2/3" can only hustle so much. Depending on your budget A Cam 35mm and B Cam 2/3'' would be a great option. Sometimes you need a compact camera if your using it for specific rigs and mounts. But what Director or DP at the low-budget range will go out of there way to tackle the specialty shots?
I mean, I could see SFX house buying 20 2/3'' for bullet cam or CG composite shots. Especially if they need the high speed.
Another thing, if you have a 16mm lens kit then all power to you, put them puppies to work. Good glass is always good.