Welcome to our community

Be a part of something great, join today!

  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Unmonitored sound recording solution for small crew shoots

Christoffer Glans

Well-known member
Joined
Jun 11, 2007
Messages
4,993
Reaction score
36
Points
48
Age
42
Location
Stockholm, Sweden
I'm aiming for pushing the limits of crew sizes for narrative shoots and I'm trying to figure out a way to get sound, without having to control the volume on set. 32 bit is the obvious solution, but I'm not sure what to get.

I own a mic that can be used for a mic boom and I've not yet found any good lavalier mics that hold enough quality for sound. I own a Zoom H6 which is good for grabbing atmospheric sounds for environmental and background sound for sound design. But I find it lacking when recording with my external mic since it has low phantom power and a high noise floor with only 24 bit. I also have an old MixPre-D that gets really good clean audio with my mic and no noise whatsoever, but I only use it for studio recording, never location since the power draw of the batteries is embarrassing.

So, what I'm looking for is an all-around solution. I want a recorder with 32 bit, that can receive lavalier wireless inputs, have good phantom power with practically no noise and really long record time capabilities. With that and my Zoom H6 I have all I need since I only need someone to hold the mic boom, but the 32 bit covers the recovery of high volume sounds.

What would give me this and also be cost-efficient?
 
Back
Top