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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Tyler Fernengel BMX Session: Silverdome

Karel Šimůnek;1518316 said:
Fantastic work, Alex! Super cool shots! What stabilizer did you use? And aerials are from drone? Thanks

Movi M15, and a custom drone with a hero 4 shooting 4k.
 
That was cool. What I liked was that it was as much about the place as it was the bike stunts. It was a nice balance there The voice sells it too.

Which Nikkors did you use?
 
That was cool. What I liked was that it was as much about the place as it was the bike stunts. It was a nice balance there The voice sells it too.

Which Nikkors did you use?

Thanks. All of the movi work was the Sigma 18-35 1.8 on the Scarlet. The rest was a mix of the whole range of Nikon zooms, and a few primes. The 24-70 and 70-200 vrii worked the most.
 
REALLY liked this, great job!
Perfect balance between showing off Fernengel's skills, the vibe off an abandoned place and your cinematic/artistic skills.
Big props for using slo-mo to enhance certain shots and to build up tension and not as a magic-bullet.
At first I disliked Fernengel getting out of frame in the final drone shot, but then I took it as a last hats-off to the Silverdome...

May I ask how long it took to pull that off and how big the crew was? Any additional lights inside the dome?
 
REALLY liked this, great job!
Perfect balance between showing off Fernengel's skills, the vibe off an abandoned place and your cinematic/artistic skills.
Big props for using slo-mo to enhance certain shots and to build up tension and not as a magic-bullet.
At first I disliked Fernengel getting out of frame in the final drone shot, but then I took it as a last hats-off to the Silverdome...

May I ask how long it took to pull that off and how big the crew was? Any additional lights inside the dome?

Thank you

4 days of shooting, with a crew of 7. There was also a separate build/production team. In all, it took about 25 people to make it happen.

We had a sprinter package, 2 joker 800s, an Arri 1200 hmi, and some 1x1 panels. One of the jokers had an octaplus bag on it for most of the time.
 
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I saw this shared on Facebook and wondered if it was from a Reduser. Such a cool piece. That run at :40 was awesome. Must have been an eerie experience shooting in there.
 
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