Hello Graeme!
Following in the steps of your great FCP filters that I already own and enjoy...
How hard would it be to develop some filters for RED? They could simulate different film stocks (Kodak, Fuji, color, B&W), different lab techniques and stock manipulation, amount of grain etc More or less the G filters, but for 4K and specifically designed for the REDCODE RAW output.
You would be the best suited to do these filters as you are develping the codec itself. You know best how much grain is too much etc - as you could easily test everyting at the proper resolution.
All the best,
Mike
Following in the steps of your great FCP filters that I already own and enjoy...
How hard would it be to develop some filters for RED? They could simulate different film stocks (Kodak, Fuji, color, B&W), different lab techniques and stock manipulation, amount of grain etc More or less the G filters, but for 4K and specifically designed for the REDCODE RAW output.
You would be the best suited to do these filters as you are develping the codec itself. You know best how much grain is too much etc - as you could easily test everyting at the proper resolution.
All the best,
Mike
