Dave Winder
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Almost forgot. Playback is not synchronized between the cameras.
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The issue with genlock signal is that a 'T' essentially doubly terminates the signal, cutting the level in half. This leaves it very close to the lower threshold required by the circuitry in the camera. Depending on the genlock source this may or not work. Therefore, RED does not recommend using a T.
An Ambient Lockit for example becomes marginal. But, Ambient does have a mod available that provides two genlock output connectors. A Lockit with a T often works 'OK' going straight into the 3BNC-lemo cables. But its not guaranteed.
As for timecode alignment, the cameras are not guaranteed to start record on exactly the same frame. Using the GP Input as a trigger with a single button T ing to both cameras will get you the closest you can, and it is very close, as in a couple of frames. RCX will then usually line them up automatically by timecode. Framerates off the project rate will have more variation. Using a slate is recommended. Using the GigE cable to control record on both cameras will have more variation in the start of the record since there is delay to relay the commands to the slave camera.
High framerate synched recording is supported. Its not a fluke.
I dont have experience with the 204, but since they are purposefully supporting dual load, I would say this is the correct shopping list with a few additions needed.
You will need the T adapter for the genlock, and two of the TC lemo to BNC adapter cables (not a RED item), or one cable and a T. Timecode handles the T-ing better. like these
http://www.ambient.de/en/produkte/ambient-recording/kabel/timecode-kabel/ltc-out.html
http://www.performanceaudio.com/buy/Sound_Devices/XL_LB2/27072
I have used the second one.