- Banned
- #1
Keith Walters
Banned
There’s been a fair bit of discussion about this recently, what with Epic #6 getting stolen. I don’t know if this has been done before, but maybe there should be a discussion thread to discuss ideas for:
- Making the things harder to pinch by opportunistic thieves who don’t know what it is they’re actually stealing,
- Minimizing the usefulness of a “Hot” camera to unscrupulous operators who do.
Anybody who was worked for a film or video rental company will know that the biggest problem is random opportunistic thefts, by people who have no idea what it is they’re stealing. In the case of the Epic, I could see how a burglar could mistake it for a high-end stills camera.
Usually what happens is when the burglar discovers it’s not really worth much on the black market, it either gets dumped, or winds up in a pawnshop, whose owner has no idea what it either. Eventually somebody may see it and realize what it actually is, but that can take a long time. Maybe the simplest answer is an inbuilt message that appears on the LCD display explaining all this!
GPS with automated location “phone in” is a fine idea in theory, but is heavily dependent on the necessary cellphone infrastructure being present. Also, I’m not sure how practical it is to build in a UHF transceiver that is both sensitive enough to work reliably, and immune to disabling by dodgy but technically literate operators.
I don't entirely agree with the notion that a stolen RED camera would be too difficult to use commercially either; I could imagine fully self-contained Porn production houses that might be happy to have a couple of extra angles available!
Personally I think you could get more mileage out of a system something like the following, which is more applicable to a rental house situation, but could also be used by owner-operators. It would also only require a software change to the camera:
- The camera’s owner has “personalized” software installed on his own computer which is either supplied on a flash drive when the camera is delivered, or extracted from the camera itself. That is, the installed software is specific to the camera (or cameras) he owns. (Presumably a “retrofit” service would be also available as part of a normal firmware upgrade for existing cameras).
- Whenever the camera goes out on a job, the owner enters details of the rental’s expected duration into the software, and it in turn generates a unique code that is then entered into the camera itself, and will only work on that particular camera.
- For the duration of the agreed rental period, everything works normally, but, once the time is up, the camera would start putting a digital “watermark” into the Redcode files’ metadata.
This could do several things: It could appear as a faint but clearly visible overlay on the decoded image, or it could simply prevent final rendering altogether. Whatever, the idea is it would make the final “Mix down” unusable or impossible, but still allow the normal "off line" editing processes to take place. - If the legitimate customer then contacted the owner(s) and arranged to extend the rental period, a new code would be generated which could be entered into the camera to switch off the watermark on any further footage.
- The proposed software would also be able to generate a different unlock code, which could be either fed into the editing computer to remove the watermark (and only THAT time-specific watermark), or used during the file transfer process to make watermark-free R3D copies.
The great advantage of the above system is that if there is a genuine mistake, no real harm will be done, because the watermark would be completely reversible in the R3D environment, and it would not prevent the editing process, which is where most of the work usually is.
However, if someone stole the camera, it would be of no use to them because there would be no way they could generate an unlock code. The watermark could even be the name and address of the owner, which would help to re-unite them with their property!