Brian Stretch
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I believe it's something like that Gary. When we working together again?
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OK. I hope I don't sound like a massive idiot here.
So, you hear of films shot in 24fps then projected in 48fps. I assume this is done by printing each frame twice and projecting it in double time? I also assume this is to combat juddering and strobing.
48fps means there would be much less motion blur. So is there any possibility that shooting 48 fps is a way of being able to "control" the amount of motion blur in post? As in "you can't get rid of too much, but you can add it in later"?
Is that what all the huh bub is about?
All I can say is that I've watched the trailer and you can really tell in a lot of places that it's more than 24fps. I did NOT like it. In his blog (or whatever you may call it) on Facebook, Peter said that 48fps makes the motion more lifelike and I agree with him on that. But in my humble opinion, we love movies so much because they are fiction and "un–lifelike".
All I can say is that I've watched the trailer and you can really tell in a lot of places that it's more than 24fps.
Movies shot with 48fps with global shutter 1/48sek, will have the same motion blur as a movie shot with 24fps and 180 degree shutter 1/48sek.
But with less motion judder and strobing, better color and optical registration and can be projected with double or triple flash, 96Hz or 144Hz, diplaying even better technically .
Answering this; How often does people shoot 24fps with global shutter?
Will answer this; How often will one need to add motion blur in post on a 48fps movie?
All I can say is that I've watched the trailer and you can really tell in a lot of places that it's more than 24fps. I did NOT like it. In his blog (or whatever you may call it) on Facebook, Peter said that 48fps makes the motion more lifelike and I agree with him on that. But in my humble opinion, we love movies so much because they are fiction and "un–lifelike".
Movies shot with 48fps with global shutter 1/48sek, will have the same motion blur as a movie shot with 24fps and 180 degree shutter 1/48sek.
But with less motion judder and strobing, better color and optical registration and can be projected with double or triple flash, 96Hz or 144Hz, diplaying even better technically .
Answering this; How often does people shoot 24fps with global shutter?
Will answer this; How often will one need to add motion blur in post on a 48fps movie?
Where do u guys get this silly ideas from, 360 degree shutter on 48fps is equal to 180 degree shutter at 24fps. Why just because both are 1/48 of a sec. Strangest theory i have ever heard...........
Pretty confusing reaction....
Which trailer are you talking about daniil,as far as the hobbit is concerned there are just some fake trailers on youtube composed of lord of the rings footage. i hope u are not reffering to those...........
I might have been fooled regarding a trailer.But I still stand on the point that we like 24fps, because its unlifelike.
I'd say you get different characteristics on 48fps with 180° (1/96th of a second) or 360°(1/48th) shutters as well as 24fps with 180° (1/48th) or 360° (1/24th). There are two variables here that are responsible for the display of movement: 1) how long is each frame exposed and 2) how much time is not exposed in between frames. That way none of the 4 variants can look the same.
I have a question though: are Blu-Ray-Players and Consumer TVs capable of displaying 48 fps?
I have a question though: are Blu-Ray-Players and Consumer TVs capable of displaying 48 fps?