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Jody Neckles
Well-known member
I've done tests with a spot meter, and I recall it was around 13 or 14. Maybe 15.
I'm curious to know how you would go about testing the dynamic range of the human eye. What was your method?
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I've done tests with a spot meter, and I recall it was around 13 or 14. Maybe 15.
I'm curious to know how you would go about testing the dynamic range of the human eye. What was your method?
You don't want the camera to actually behave like our eyes see, you want it to behave like we THINK we see.
Yes, 75 degrees is pretty good. It's not a narrow 20 degree cone or anything. I never said it was. But note that this is only for red and yellow. Green is at 60 degrees, which is a pretty small cone.
we only see color straight on because the 6 or so million color sensitive cones are concentrated in the middle surrounded by about 120 million light sensitive rods. So if you see something you have never seen before enter your peripheral vision, you won't know what color it is until you look directly at it.
Assuming we want to 'present' a specific luminance range. The alternate argument is to make no exposure judgments and just develop HDR displays with 20+ stops. Then the eye can take the raw data and process it *exactly* the same as the human brain since it will be the human brain.![]()
I would love to see a display like that in my life time....
I'm curious to know how you would go about testing the dynamic range of the human eye. What was your method?
Assuming we want to 'present' a specific luminance range. The alternate argument is to make no exposure judgments and just develop HDR displays with 20+ stops. Then the eye can take the raw data and process it *exactly* the same as the human brain since it will be the human brain.![]()
Eventually it will start looking flat and unrealistic though, without intense color grading. Jim said that they haven't been able to find many situations that actually NEED the 18 stops of the maximum HDRx™ on the Epic.