Jaime Vallés
Well-known member
- Joined
- Dec 28, 2006
- Messages
- 1,795
- Reaction score
- 0
- Points
- 36
- Location
- New York City
- Website
- www.casicasi.com
Speaking of the Zeiss ZF lenses, check out this link, where Zeiss big-shots talk about why these lenses will be good for Cinematography. Granted, they're biased, so testing is necessary to determine if they speak the truth. I'm pasting the relevant passage below:
CLN: And why would they prefer Zeiss ZF to Nikon?
Müller: I see two reasons.
First because they know that with Zeiss lenses they will get state-of-the-art image quality, technically and aesthetically. They will recognize that ZF lenses come with much larger rotation angles for the focus rings, like the cinematography lenses we make for Hollywood. This means that focusing can be performed much more accurately than with designs optimized for photojournalistic work.
I can't wait to try these lenses out on RED!
CLN: And why would they prefer Zeiss ZF to Nikon?
Müller: I see two reasons.
First because they know that with Zeiss lenses they will get state-of-the-art image quality, technically and aesthetically. They will recognize that ZF lenses come with much larger rotation angles for the focus rings, like the cinematography lenses we make for Hollywood. This means that focusing can be performed much more accurately than with designs optimized for photojournalistic work.
I can't wait to try these lenses out on RED!