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- Banned
- #41
GlennChan
Banned
I think the major marketing push behind 24p cameras was that they would produce a more film-like image. Although IMO the motion is only a very small piece of the puzzle.
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That 60i look?!
- Thread starter GlennChan
- Start date
Stuart,
like TJ I'm very much reassured by your response but please remember us in PAL land as we need 50i!!! (though I'm sure you won't forget
)
I'm already trying to persuade producers here in the UK about RED's potential and knowing that you guy's are looking at the SD output issue will help a lot.
Thanks
Glenn,
24P is not so much the film look but more about getting the exact frame rate so one can use these camcorders as second cameras to match or rather inter-cut with the (much more expensive) footage of the master cameras. I'm afraid a lot of these cameras are seen as the "disposable" cameras that get put in the high risk positions during stunt/pyro shots for example. The other point of this feature was that alot of people were asking for it for the purposes of 35mm blow-ups.
The other thing a lot of people forget is that 24P is the frame rate & type, the "filmlook" depends not on frame rate but , partly, on what type of gate one is trying to simulate...
JohnF
like TJ I'm very much reassured by your response but please remember us in PAL land as we need 50i!!! (though I'm sure you won't forget
) I'm already trying to persuade producers here in the UK about RED's potential and knowing that you guy's are looking at the SD output issue will help a lot.
Thanks
Glenn,
24P is not so much the film look but more about getting the exact frame rate so one can use these camcorders as second cameras to match or rather inter-cut with the (much more expensive) footage of the master cameras. I'm afraid a lot of these cameras are seen as the "disposable" cameras that get put in the high risk positions during stunt/pyro shots for example. The other point of this feature was that alot of people were asking for it for the purposes of 35mm blow-ups.
The other thing a lot of people forget is that 24P is the frame rate & type, the "filmlook" depends not on frame rate but , partly, on what type of gate one is trying to simulate...
JohnF
tj williams
Well-known member
Gone with the wind is showing in 60I to more people than saw it in theatres!
John. Just finished working for the BBC difficult to obtain PAL Digibeta in this market!!!
IF I'd had the RED it was a good on em.. out to PAL. As it was we had to fly in a camera
which I didn't even get to prep. if it had broke we were dead over in canyon country. all the Best mate
TJ
John. Just finished working for the BBC difficult to obtain PAL Digibeta in this market!!!
IF I'd had the RED it was a good on em.. out to PAL. As it was we had to fly in a camera
which I didn't even get to prep. if it had broke we were dead over in canyon country. all the Best mate
TJ