Justin Murray
Member
I write this topic because we should all share our own experiences through this process. Another reason is that, I just finished shooting a music video on the RED. I'm in the mist of understanding the whole idea of "The RED" work flow.
As of right now, I brought it in as R3D, plus 4 different files of resolutions. Which I'm assuming, this is what red does everytime!? I did not run it through Redcine. I went straight to FCP using the REDCODE codec. At this time, the editor and I are just logging the files and making notes. In the mean time, my question is:
Is there a way to do offline editing with the smaller resolution files and once we are happy with the final cut, can we go back to the 4k/2k files without having to place every file with the 4k/2k? I hope that made sense.
Other wise, if you don't have an answer, please fill free to share your experience using the RED with FCP.
Thanks,
-Mur
As of right now, I brought it in as R3D, plus 4 different files of resolutions. Which I'm assuming, this is what red does everytime!? I did not run it through Redcine. I went straight to FCP using the REDCODE codec. At this time, the editor and I are just logging the files and making notes. In the mean time, my question is:
Is there a way to do offline editing with the smaller resolution files and once we are happy with the final cut, can we go back to the 4k/2k files without having to place every file with the 4k/2k? I hope that made sense.
Other wise, if you don't have an answer, please fill free to share your experience using the RED with FCP.
Thanks,
-Mur