Nick Morrison
Well-known member
- Joined
- Nov 9, 2011
- Messages
- 9,141
- Reaction score
- 50
- Points
- 48
- Location
- Brooklyn
- Website
- www.smallgiant.tv
Hey guys, here's a very simple piece shot on two MX Scarlets. Shot 3K 48fps.
It's a SWAMP PEOPLE stunt with Troy, one of the stars of the show. He's riding a mechanical gator, and having a lot of fun doing it!
A-Cam had a CANON FD 7.5mm fisheye (modded and converted to EOS by RP lens). B-Cam had an RP Lens Modded Contax 35-135 (one of our work horses). The timelapses at the top were with a Tokina 11-16.
We had 10mins to shoot this, and you can see how much coverage the 35-135 bought us. Greg our operator managed to grab wides, tights, you name it...while Ryan danced inside on the fisheye.
A-CAM also had a MOTION MOUNT, and you can see how clean the footage is. B-Cam is a little green, from the 1.5 or 1.8 ND we had on it.
This was one of MANY pieces we shot at a NASCAR event in Charlotte, NC. For History Channel. Over the weekend we mostly shot w/ Contax Zooms (28-85, 35-135, 80-200, 100-300). The versatility of these zooms was a HUGE bonus. Most of the time A-Cam rocked 28-85, and B-Cam grabbed more closeups and portraits with 35-135 or 80-200.
It's a SWAMP PEOPLE stunt with Troy, one of the stars of the show. He's riding a mechanical gator, and having a lot of fun doing it!
A-Cam had a CANON FD 7.5mm fisheye (modded and converted to EOS by RP lens). B-Cam had an RP Lens Modded Contax 35-135 (one of our work horses). The timelapses at the top were with a Tokina 11-16.
We had 10mins to shoot this, and you can see how much coverage the 35-135 bought us. Greg our operator managed to grab wides, tights, you name it...while Ryan danced inside on the fisheye.
A-CAM also had a MOTION MOUNT, and you can see how clean the footage is. B-Cam is a little green, from the 1.5 or 1.8 ND we had on it.
This was one of MANY pieces we shot at a NASCAR event in Charlotte, NC. For History Channel. Over the weekend we mostly shot w/ Contax Zooms (28-85, 35-135, 80-200, 100-300). The versatility of these zooms was a HUGE bonus. Most of the time A-Cam rocked 28-85, and B-Cam grabbed more closeups and portraits with 35-135 or 80-200.
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