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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Surprise...?

I plan to shoot my feature in this new mode, Jim.

I was told at AFM by a panel of prominent DPs, that digital was a poor choice for epic scenery in a film.

I can't wait to prove otherwise.

-Thor
 
exciting news. Any word whether we could have 16:9 but at lower frame rates (such as 24/25) or is the current aspect ratio pushing as hard as it can go?
 
Looks like Epic with its 5.5K will bring true 4K (4000 lines) visible at current technology used in RED Code RAW. 4/5.5 = .72 oversampling ratio.
But I hope that RED ONE with 4.5 K support and its .88 oversampling will bring full 4000 lines as well, one day.

I have seen some tests showing as high as 3200 vertical lines across the screen with build 15 and I am very curious how many vertical lines of resolution we get now with build 16 and 4.5 K enabled.
 
Annoying is not a motivating factor over here.

ok thats funny I dont care who you are.....thats funny stuff right there.

Let me ammend my silly comment with the comment that the ability to talk directly to those responsible for
our tools that bring in the bacon is really an asset to having a Red.
 
I love it, thankyou. Now if you can give us 1:2 and 9:16 aspect ratios, we`ll be able to use the camera sideways too :turned: or 19:6, so we can film upside down :usd:
 
4.5k FTW!

Looks like Epic with its 5.5K will bring true 4K (4000 lines) visible at current technology used in RED Code RAW. 4/5.5 = .72 oversampling ratio.
But I hope that RED ONE with 4.5 K support and its .88 oversampling will bring full 4000 lines as well, one day.

I have seen some tests showing as high as 3200 vertical lines across the screen with build 15 and I am very curious how many vertical lines of resolution we get now with build 16 and 4.5 K enabled.

Those were my exact thought as well. RED ONE's debayered 4k just got closer to 4k...
 
haha the well-missed 2k scaled

I have commented about 100 times (slight exaggeration) why 2K scaled makes no sense whatsoever... why this keeps coming up is totally beyond my wildest comprehension. I have to assume this is a joke...

I think it is time to take a break from this forum again.

Jim
 
We were trying to hold off talking about this until the codec errors were completely killed (we think they are with the build coming in a day or two), but there has already been some discussion about this so here you go:

The RED ONE will soon be able to shoot 4.5K, 2.40:1 at 30fps. Expect to see this very soon.

Jim

Jim,

So, what will be the resolution we will get when the Misterium X is available for upgrading the Red One? :nuke:
 
We were trying to hold off talking about this until the codec errors were completely killed (we think they are with the build coming in a day or two), but there has already been some discussion about this so here you go:

The RED ONE will soon be able to shoot 4.5K, 2.40:1 at 30fps. Expect to see this very soon.

Jim

Jim, this is seriously one of the most exciting things that has happened for me yet. You rock the casbar!! :ninja:
 
I have commented about 100 times (slight exaggeration) why 2K scaled makes no sense whatsoever... why this keeps coming up is totally beyond my wildest comprehension. I have to assume this is a joke...

I think it is time to take a break from this forum again.

Jim

People don't value when you are giving software-updates/upgrades for free... once you start charging $500... $1000... just like any other vendor... they will realize what a good/great thing they had/have going for them.
 
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