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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Supergirl - Music Video - Scarlet MX Leica R - natural light

Chris, this is some of the best looking Scarlet footage I've ever seen (MX or Dragon). Congrats!

Looks GORGEOUS.

Those Leica R's are heavenly.

How did you guys handle the camera movement - was that a gimbal (Movi, Ronin, etc), easy rig, handheld? Loved the feel.

Congrats again - 22 million views!!

You deserve it!!!!

best
 
Chris,

Looks great!

Love the MX/Leica combo!
 
My favorite kind of images, wonderful work!
 
Big, big look. Really liked it, great job!

Side node: Since you "sent it of to Germany", was this a "remote" production for the german artists? Or did the German director and cast flew over and hired local talent like you?
 
Nick Morrison said:
Chris, this is some of the best looking Scarlet footage I've ever seen (MX or Dragon). Congrats!

Looks GORGEOUS.

Those Leica R's are heavenly.

How did you guys handle the camera movement - was that a gimbal (Movi, Ronin, etc), easy rig, handheld? Loved the feel.

Congrats again - 22 million views!!

You deserve it!!!!

best
Click to expand...

THANKS NICK!

awesome hearing that from you, especially since reading your posts throughout the years (also have a set of contax glass, thank you!)

all the moving shots were handheld with a little extra love on top! haha :)
r7q4Tos.jpg
 
Beautiful video Chris. Thanks for sharing. Those R's are badass. And love your photo of the 2.5LB weight on the camera. Whatever it takes
to get the right camera movement feel..
 
Alvise Tedesco said:
+ 1!!

Great video Chris
Curious about iso on those car interiors at night.
Thanks for sharing
Click to expand...


We stayed at iso800, but changed monitor/viewfinder to output raw so we could make out details...

The footage where the camera was physically inside the truck were on the 19 at 2.8, and outside we jumped to the 35 & 50 at 2.0.

here's redlogfilm and redgamma 4 straight out the camera.
7WlDHXz.png
 
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