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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

So I bought Gluetools....

As for my Cineon/DPX Pro for FCS2 package, I don't have a "Red Workflow". But we have a pretty damned nice DPX workflow. I hope that before long, Ian and I will have some time to do some much needed collaboration with Crimson. I suspect that when he is ready, we can add some nifty abilities to our package to benefit Red production. I have a couple ideas, such as embedding Red Slate/Shot information into the DPX files. Also Reel name and Time code info, that helps when moving projects using EDLs. (this is a common task with DI.) Conforming projects also will become easier if Crimson can push data into DPX frames, as well.


www.gluetools.com

Great news...I'll start harassing Ian immediatly. He is ready now, he just forgot to tell you.
 
As for my Cineon/DPX Pro for FCS2 package, I don't have a "Red Workflow". But we have a pretty damned nice DPX workflow. I hope that before long, Ian and I will have some time to do some much needed collaboration with Crimson. I suspect that when he is ready, we can add some nifty abilities to our package to benefit Red production. I have a couple ideas, such as embedding Red Slate/Shot information into the DPX files. Also Reel name and Time code info, that helps when moving projects using EDLs. (this is a common task with DI.) Conforming projects also will become easier if Crimson can push data into DPX frames, as well.

www.gluetools.com

Yes please. If you guys do some collaboration like this then I will buy both you softwares for my FCP editor.
 
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