Slow motion and proxy workflow

[William Ciani]

Curious to know what workflow is used, if any, when shooting above 60fps in raw + prores. Is it pointless to also shoot raw + prores when frame rates won't match?

 

[Brendan H. Banks]

I use this workflow a good bit, but you'll need to abandon in-camera proxies if you shoot over 120fps. You can just shoot raw and then transcode proxies to work with. My experience is with my Epic-W, so not sure what yours is like. What camera are you using?

 

[William Ciani]

Yea I was hoping there was another way... In camera proxy is a massive time saver.

 

[Brendan H. Banks]

Yea I was hoping there was another way... In camera proxy is a massive time saver.

Yeah, but I notice you're saying 60fps...the epic-w can do 120fps at 1080p in ProRes. what camera is limited to 60fps?

EDIT: Oh the S-W is limited to 60fps, didn't realize it had that limit. Yeah I think you have to transcode.

 

[Bob Gundu]

Yeah, but I notice you're saying 60fps...the epic-w can do 120fps at 1080p in ProRes. what camera is limited to 60fps?

EDIT: Oh the S-W is limited to 60fps, didn't realize it had that limit. Yeah I think you have to transcode.

And MG Weapon can do up to 60P.

 

[William Ciani]

Yeah, but I notice you're saying 60fps...the epic-w can do 120fps at 1080p in ProRes. what camera is limited to 60fps?

EDIT: Oh the S-W is limited to 60fps, didn't realize it had that limit. Yeah I think you have to transcode.

Yes I mean the pro res tops out 60fps.... So If I'm shooing 4k raw 120 and wanted a prores proxy in camera it gives me a 60fps clip which is pretty useless trying to edit with in premier.