I recently watched Skyline (great special effects, less than great dialog) and listened to the director's comments.
Really quite a good job for their first shot at producing, writing, running the entire show.
They used a RED One with the Mysterium-X sensor and shot much of it at ISO 2000.
There are some closeups in a restaurant in available light that look really good.
With the new circuitry in the Scarlet, I'd expect it will look even better.
Here's a podcast on the making of Sykline.
http://www.fxguide.com/fxpodcasts/Skyline/
They were able to cut way back on the production costs of the movie because of the reduced need for lighting, generators, etc. Even resulted in a reduction of their catering costs.
Really quite a good job for their first shot at producing, writing, running the entire show.
They used a RED One with the Mysterium-X sensor and shot much of it at ISO 2000.
There are some closeups in a restaurant in available light that look really good.
With the new circuitry in the Scarlet, I'd expect it will look even better.
Here's a podcast on the making of Sykline.
http://www.fxguide.com/fxpodcasts/Skyline/
They were able to cut way back on the production costs of the movie because of the reduced need for lighting, generators, etc. Even resulted in a reduction of their catering costs.