rand thompson
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SIDE BY SIDE: Red Gemini 5K - Arri Alexa Mini - Kinefinity MAVO LF
By Filippo Chiesa
All the cameras have been used under the same conditions.
RED GEMINI 5K
Redcode
800 and 5000 ISO
5600° K
Color Science: IPP2
Color Space: Red Wide Gamut RGB
Gamma Curve: Log3G10
LUT: RWG Log3G10 to Rec. 709 Low Contrast and R4 Very Soft Size
No denoise
Lens: Sigma Cine 35mm T/1.5
ARRI ALEXA MINI
Pro Res 4444 XQ (3200 x 1800)
800 ISO
5600° K
Arri Log C
ACES Transform
No denoise
Lens: Sigma Cine 35mm T/1.5
KINEFINITY MAVO LF
Pro Res 4444 XQ 6K
800 ISO
5600° K
Kine Log
ACES Transform
No denoise
Lens: Sigma Cine 35mm T/1.5
All original files will be available soon.
Check ADCOM FB page: facebook.com/adcom.bologna/
Thanks to:
ADCOM Team
Matteo De Angelis
Luca Pischedda
Marco Benedetti
Sara Franceschi
Eleonora Tomasini
By Filippo Chiesa
All the cameras have been used under the same conditions.
RED GEMINI 5K
Redcode
800 and 5000 ISO
5600° K
Color Science: IPP2
Color Space: Red Wide Gamut RGB
Gamma Curve: Log3G10
LUT: RWG Log3G10 to Rec. 709 Low Contrast and R4 Very Soft Size
No denoise
Lens: Sigma Cine 35mm T/1.5
ARRI ALEXA MINI
Pro Res 4444 XQ (3200 x 1800)
800 ISO
5600° K
Arri Log C
ACES Transform
No denoise
Lens: Sigma Cine 35mm T/1.5
KINEFINITY MAVO LF
Pro Res 4444 XQ 6K
800 ISO
5600° K
Kine Log
ACES Transform
No denoise
Lens: Sigma Cine 35mm T/1.5
All original files will be available soon.
Check ADCOM FB page: facebook.com/adcom.bologna/
Thanks to:
ADCOM Team
Matteo De Angelis
Luca Pischedda
Marco Benedetti
Sara Franceschi
Eleonora Tomasini