Neil Abeynayake
Well-known member
Shot on RED Helium: 22 July Directed by Paul Greengrass
Famed for directing 3 of the "Bourne" series: The Bourne Supremacy (2004), The Bourne Ultimatum (2007) and Jason Bourne (2016). Also, Green Zone (2010), United 93 (2006) and Captain Phillips (2013).
His camera choices are interesting. Almost all movies of his used film and on "Captain Phillips" he used all kinds of cameras.
Aaton Penelope, Zeiss Super Speed, Angenieux Optimo and Nikon Lightweght Lenses
Aaton XTR Prod, Canon Lenses
Arri Alexa, Zeiss Super Speed and Angenieux Optimo Lenses
Arricam LT, Zeiss Super Speed, Angenieux Optimo and Nikon Lightweight Lenses
Arriflex 235, Zeiss Super Speed and Angenieux Optimo Lenses
Arriflex 435, Zeiss Super Speed and Angenieux Optimo Lenses
Beaumont VistaVision Camera, Leica Summilux Lenses
Canon EOS C300
GoPro HD Hero
In 2016, he used the following camera lineup for "Jason Bourne":
Aaton Penelope, Panavision Primo, Zeiss Super Speed, Ultra Prime, TLS Morpheus, Fujinon Premier Cabrio and Angenieux Optimo Lenses
Aaton XTR Prod, Canon Lenses
Arri Alexa Plus 4:3, Angenieux Optimo Lenses
Arri Alexa XT, Zeiss Super Speed, Ultra Prime, Fujinon Premier Cabrio and Angenieux Optimo Lenses
Blackmagic Micro Cinema Camera, Kowa Prominar Lenses
Blackmagic Pocket Cinema Camera, Kowa Prominar Lenses
Canon EOS C500, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses
Codex Action Cam
Red Epic Dragon, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses
And his latest addition as a director the guy uses the RED Helium in "22 July" which was released in 2018.
Runtime: 2 hr 23 min (143 min)
Color: Color
Aspect Ratio: 1.85 : 1
Camera: Red Helium
https://www.imdb.com/title/tt7280898/?ref_=nv_sr_1
I do not know whether it is the way Norwegian movies are made or the director wanted to tell the story with available lighting without glamour etc, I felt they could have exposed at least 1.5 ~ 2 stops higher.
Famed for directing 3 of the "Bourne" series: The Bourne Supremacy (2004), The Bourne Ultimatum (2007) and Jason Bourne (2016). Also, Green Zone (2010), United 93 (2006) and Captain Phillips (2013).
His camera choices are interesting. Almost all movies of his used film and on "Captain Phillips" he used all kinds of cameras.
Aaton Penelope, Zeiss Super Speed, Angenieux Optimo and Nikon Lightweght Lenses
Aaton XTR Prod, Canon Lenses
Arri Alexa, Zeiss Super Speed and Angenieux Optimo Lenses
Arricam LT, Zeiss Super Speed, Angenieux Optimo and Nikon Lightweight Lenses
Arriflex 235, Zeiss Super Speed and Angenieux Optimo Lenses
Arriflex 435, Zeiss Super Speed and Angenieux Optimo Lenses
Beaumont VistaVision Camera, Leica Summilux Lenses
Canon EOS C300
GoPro HD Hero
In 2016, he used the following camera lineup for "Jason Bourne":
Aaton Penelope, Panavision Primo, Zeiss Super Speed, Ultra Prime, TLS Morpheus, Fujinon Premier Cabrio and Angenieux Optimo Lenses
Aaton XTR Prod, Canon Lenses
Arri Alexa Plus 4:3, Angenieux Optimo Lenses
Arri Alexa XT, Zeiss Super Speed, Ultra Prime, Fujinon Premier Cabrio and Angenieux Optimo Lenses
Blackmagic Micro Cinema Camera, Kowa Prominar Lenses
Blackmagic Pocket Cinema Camera, Kowa Prominar Lenses
Canon EOS C500, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses
Codex Action Cam
Red Epic Dragon, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses
And his latest addition as a director the guy uses the RED Helium in "22 July" which was released in 2018.
Runtime: 2 hr 23 min (143 min)
Color: Color
Aspect Ratio: 1.85 : 1
Camera: Red Helium
https://www.imdb.com/title/tt7280898/?ref_=nv_sr_1
I do not know whether it is the way Norwegian movies are made or the director wanted to tell the story with available lighting without glamour etc, I felt they could have exposed at least 1.5 ~ 2 stops higher.