Craig Howard
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My first shoot with RED coming up and it happpens to be close up food with pours. Television commercial.
It also happens to be white on white! ie white chocolate on white icecream.
FWIW. I have shot film for over 30 years plus a lot of tape, HD etc (but nothing with a motion camera that shoots RAW). Normally I would trust my meter, my IRE spotmeter, my eye (and a waveform monitor for tape)
I am curious how I should establish exactly what and where I am on the white scale. The waveform monitor differs when I look at the raw data and I have not had enough experience of the small viewfinder histograms on a RED.
Obviously I want to avoid white clipping and I need to keepo my whites in the broadcast TV "range" - Not superwhite.
Does the RED clamp?
Any advice will be appreciated.
It also happens to be white on white! ie white chocolate on white icecream.
FWIW. I have shot film for over 30 years plus a lot of tape, HD etc (but nothing with a motion camera that shoots RAW). Normally I would trust my meter, my IRE spotmeter, my eye (and a waveform monitor for tape)
I am curious how I should establish exactly what and where I am on the white scale. The waveform monitor differs when I look at the raw data and I have not had enough experience of the small viewfinder histograms on a RED.
Obviously I want to avoid white clipping and I need to keepo my whites in the broadcast TV "range" - Not superwhite.
Does the RED clamp?
Any advice will be appreciated.