Shooting Star

[Álex Montoya]

Here's a frame of the short film 'Shooting Star' that was just filmed in Santander with the RED #1753.

Directing were Lily Cabrera and Valerio Veneras. Cinematography by Aitor Uribarri.

The following image was just taken without fill, just a grad for the cloudy sky.



You can find more frame grabes in Red Nacion.


Best.

 

[Vigna Raajan]

Wow..nice screen grabs..What lens did you use?

 

[Álex Montoya]

That's our trustworthy Zeiss standard, looks like the 24mm.

 

[JairoIglesias]

I like it very much...the colour and photography are perfects!!

 

[Álex Montoya]

Thanks a lot, Jairo. Here's another one for those who don't follow the blog.

 

[SandeepDey]

The grad just completes the magic for the shot! Beautiful work.

 

[Álex Montoya]

Here's a new frame from the short film directed by me that we shot with our RED ONE.

We're preparing the film transfer right now. I am exporting dpx's and I tried what someone explained about exporting from REDCINE with color temperature of 5500 and correcting afterwards in premiere since it was shot with tungsten.

The result has significantly less noise in the blue channel. I will post the example later.

For now here's the frame:

 

[Roberto B]

what me likes better is that game we can play when we click your pics.. seems to me a great pro tool.. ehehehehehe

 

[Andrew Martin]

All looks great, cant wait to hear more Concrete.

Andrew.

 

[hunterrichards]

Thats a great exposure. In fact its so nice I had to drop it into photoshop!

Did you use grad on that first shot or is it from the lens?

 

[Radoslav Karapetkov]

Beautiful visuals.

 

[Daniel García]

I am exporting dpx's and I tried what someone explained about exporting from REDCINE with color temperature of 5500 and correcting afterwards in premiere since it was shot with tungsten.

The result has significantly less noise in the blue channel. I will post the example later.

1)Doesn't that mean there's something wrong in Redcine's temp correction algorithm?
2)You're grading dpx seq's in Premiere? For filmout? Can you say more about this? What tools/plugins, Color Finesse or native? How are you monitoring?

Thanks man, great work.