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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Second Day Goodies

Sharpening is for final viewing, not for mucking with the levels to see what's going on with the image. It's to show how sharp and nice the images can be when you add just enough of just the right amount of sharpening right at the end, with the target display method in mind - pretty much just what you'd do with a DSLR image for print or display.
Graeme

Graeme... IMO, at this level and degree it's destroying the whole esthetic that YOU were aiming for with the look of RED images, smooth, clean and naturally sharp...

...besides, 16bit .tiff's just beg to be "mucked" around with... :)
 
rcine.png

screnn cap form my desktop. we are just to get underway with some shots.. with some talent/actors
brb
 
Footage Please!!!!

Even REDAlert to download it (free) and than original REDcam files (r3d)
and than WE CAN PLAY and dance together!!!!!!!!!!!!!!!!!!!
 
rcine.png

screnn cap form my desktop. we are just to get underway with some shots.. with some talent/actors
brb
good stuff.. can you upload this one?..
 
Graeme... IMO, at this level and degree it's destroying the whole esthetic that YOU were aiming for with the look of RED images, smooth, clean and naturally sharp...

...besides, 16bit .tiff's just beg to be "mucked" around with... :)

Understood, Jim. But i'm not the shooter or post producer of those shots, and some will like how that looks. I'm not an aesthetic dictator :-)

That said, I'm researching more image friendly sharpening that I should be able to put in future builds :-)

Graeme
 
Graeme, I really like lightrooms highlight recovery slider, as it allows you to use the exposure slider for general gain, then use the recovery slider for specular recovery to avoid harsh digital clipping.
have you experimented with highligt recovery algorithms, not to recover sensor overexposure but to gently re introduce upper highlights lost to clipping in post gain.
You can do it with a curve, but its just so damn hard to edit..
 
I second the Lightroom reference. The way it handles highlight and shadow recovery is amazing. I use it on almost every shoot, and it has the bonus feature of showing you it's mask when you hold the option key down. I was so shocked when I learned to use it properly.

_mike
 
Currently only 4K 2:1 (4096 x 2048) at 23.976, 24.00, 25.00, 29.97 & 30.00 fps (not entirely sure about the last two)

Thanks Rob, were you there for D day ?

See you at IBC next week right ?!

Cheers,
Damien
 
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