Cid J Salcido Uyarra
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The only way Red could solve this issue would be to Bump Scarlet Specs/Price to Epic then make Epic a little bigger just a wee bit thats a full on production camera with easy to get to ports, wifi, wireless video and most importantly Hi-Speed to compete with Phantom like 200-500fps. Kinda like a Meizler Module built into the Epic with overclocked chips.
This would have to be for the next Sensor after Dragon and consumers will have more affordable options with the current cameras on the market.
Red needs a camera that everyone can own and shoot on thats small but packs a punch like current builds, still implies DSMC. Then a Hi-End camera targeting a Pro market, all the bells and whistles to be a true production camera. Scarlet will be great cause you can build it up and down being the most flexible then a Epic camera to compete with Alexa Sony & Research. Cover both markets.
It's interesting to see how these companies go about marketing their lesser cameras. The Arri Amira is doing really well, all the guys who invested in them are seeing great returns not to mention a solid build. Main difference between that and the Alexa is RAW capabilities. On the flip side the Alexa-M did bad b/c its not self contained which is why Red has a huge advantage.
Sony goes from F65-F55-F5-FS7-a7S. But they sell to a broader market from Pro to Pro-sumer and consumer.
I hear similar complains that we have as Scarlet owners over with the kids who went with an F5 instead on an F55. If I remember their complain was no 4K recording and wasn't there some hack for it, then Sony did an 4k update?
This would have to be for the next Sensor after Dragon and consumers will have more affordable options with the current cameras on the market.
Red needs a camera that everyone can own and shoot on thats small but packs a punch like current builds, still implies DSMC. Then a Hi-End camera targeting a Pro market, all the bells and whistles to be a true production camera. Scarlet will be great cause you can build it up and down being the most flexible then a Epic camera to compete with Alexa Sony & Research. Cover both markets.
It's interesting to see how these companies go about marketing their lesser cameras. The Arri Amira is doing really well, all the guys who invested in them are seeing great returns not to mention a solid build. Main difference between that and the Alexa is RAW capabilities. On the flip side the Alexa-M did bad b/c its not self contained which is why Red has a huge advantage.
Sony goes from F65-F55-F5-FS7-a7S. But they sell to a broader market from Pro to Pro-sumer and consumer.
I hear similar complains that we have as Scarlet owners over with the kids who went with an F5 instead on an F55. If I remember their complain was no 4K recording and wasn't there some hack for it, then Sony did an 4k update?
