Chris Parker
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Here is the workflow I need to make work with Rocket Fuel.
1)Have my DoP, On Set, Roughly grade the footage. A take or two from each setup.
2)apply that look to all the takes that they deem neccesary ON-SET.
3)Render versions of all the footage (2-3 hours per day) to dvd compatible codec 720x480 with pulldown and audio from camera
4) somehow get that look into redrushes to make all my ProRes Editorial Quicktimes (since we can't do prores on windows stations)
I can make this work on the mac via RED Rocket™, but its not a fully developed product, and I have my concerns abuot having a station on set that depends on beta software (RocketCine-X)
-Frank Cueto
When does your shoot begin? If you are having to spit out ProRes files, you are better off going with the RocketCine I think, as you'd have only one station capable of handling your entire job.
I have the newest (unreleased) version of RocketCine-X and it seems to address most of the issues lacking in current release. If you are going to process in rushes you certainly could still apply color looks in RocketCine as it applies RSX files in each clip's folder. Then, when you process those clips in Rushes, your looks will be carried over.
I see Rocket Fuel as an AMAZING solution for anything OTHER than projects that require ProRes dailies.......