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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

refurbished red ones?

Patrick Jennings

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with the trade in scheme for the epic, what will come of those red ones?

will you resell them as new or refurbished or second hand or will you just throw them out?

if you're just throwing them out, can you please tell me where you keep your bins? :D

pat
 
if you're just throwing them out, can you please tell me where you keep your bins? :D

pat

Just look for the bin in the back of RED right next to this one:

Throwing_away_money.jpg
 
I should have skipped the tour and went right to the dumpster!

Dave
 
I am looking for a red one camera Immediately.Any one interested to sell his camenra please let me know.
 
If Red was to sell refurbished Reds that had been used to trade-in for Epic, I would definitely be interested. With the looming recession in the UK, times aren't the best and I've lost quite a lot of work over the Summer months. A refurbished cheaper Red camera body would make things much easier to justify :shifty:
 
Third world country need refurb REDONE for REDVOLUTION, can't stop it.
It'll take another 20 years to go!
Can't stop digital revolution.
One of my 16mm camera was my fathers that he bought 1950's.
Same thing, my REDONE will be my grandson's camera also.
 
It would be very decent (and probably tax deductible) if Red distributed the trade-ins to film schools around the world. Seems to be something that would be very much in line with what I perceive to be Red's corporate philosophy.

It would be a way to have the previously-loved Red Ones continue to do good in the world without diluting the market for the sale of new Reds.
 
It would be very decent (and probably tax deductible) if Red distributed the trade-ins to film schools around the world. Seems to be something that would be very much in line with what I perceive to be Red's corporate philosophy.

It would be a way to have the previously-loved Red Ones continue to do good in the world without diluting the market for the sale of new Reds.

Interesting thoughts...maybe RED is trying to do what Apple is doing. Acquire a strong user base early (in college) and when the kids begin to do their own productions they will push to use the same equipment. I know that when I got out of film school I still wanted to have unlimited access to lights, grip equipment, Beta decks and Arris SR2's.
 
They do that anyway

They do that anyway

i dont think film schools should have red.. puts too much emphasis on gear. rather than story telling

I have done a couple of films at films schools and they were both obsessed with their students using 35mm because it is proper film.

One had Panavision cameras on permanent rental. That is too much emphasis on gear right there if you ask me.

Bobble
 
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