RedWideGamutRGB: discuss!

[luigivaltulini]

Luigi thank you! Because of you I just noticed a small issue with the LUT. Totally my bad. I'm making a change now and it should be available soon.

Thanks Goran, I was in Davinci YRGB
your lut is amazing MAN

 

[Goran Ljubuncic]

Thanks Goran, I was in Davinci YRGB
your lut is amazing MAN

Thank you so much. It means a lot!

 

[Graeme Nattress]

RWG will be great for you Ido. CameraRGB can be made to work, but you're re-inventing the formula for each and every camera. RWG is standardized, so works consistently.

Graeme

 

[Russ Fill]

Goran I agree with Luigi this is a great LUT.. Thank you.

 

[Goran Ljubuncic]

Goran I agree with Luigi this is a great LUT.. Thank you.

Thank you! I will have to do some small changes to it though

 

[Tommaso Alvisi]

Goran I agree with Luigi this is a great LUT.. Thank you.

Russ, where did you find Goran's LUT?

 

[luigivaltulini]

Goran ,
just lillte satured and yellow. Davinci Yrgb
added r3d raw for you :

https://www.dropbox.com/s/z305busc5roer20/A009_C023_0130Y4.0000084F.R3D?dl=0

dg/rg3 1280iso

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rwg/log310 2500 iso lut 709

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rwg/log310 - 20% saturation 2500 iso lut 709

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[David Battistella]

Luigi, Try setting your R3D to 5200 -4 Tint between 250 and 800 ISO (depending on exposure) and see how the LUT's drop into place.



David

Here is your shot with the above settings at 1280 with "secret sauce REC 709 LUT" applied. Nice starting point I would say.

 

[luigivaltulini]

ooo yess DAvid nice
I chose this face because particular.


I wanted to leave everything in default without tint correction, so Goran could fix.
One other thing why I have to go up to ISO?

 

[Christoffer Glans]

Here you go, going to REC709, check it out Chris:

https://dl.dropboxusercontent.com/u/9219402/RED_Log3G10_WGRGB_to_REC709.cube.zip

Thank you
Tried on the test footage from red.com, I white balanced her shirt but the A.D.D export created a very warm image, I did a colder export but I'm not sure if my laptop color handling is off, but this should be a neutral RWG/3G10 with Rec709 LUT.

 

[Tommaso Alvisi]

On my Calibrated Eizo the first one is the right one...

Don't color-proof jobs on that laptop ha!

 

[Christoffer Glans]

On my Calibrated Eizo the first one is the right one...

Don't color-proof jobs on that laptop ha!

Yeah, that's what I thought I'm not at my grading station so I had no way to get it right... although, I've applied the rec709 display color space to the OSX colors for my laptop screen, I guess they didn't get it right

 

[David Battistella]

ISO is pre LUT. You change the ISO the LUT performs differently.

David

ooo yess DAvid nice
I chose this face because particular.


I wanted to leave everything in default without tint correction, so Goran could fix.
One other thing why I have to go up to ISO?

 

[Sabovic Adis]

Yeah, that's what I thought I'm not at my grading station so I had no way to get it right... although, I've applied the rec709 display color space to the OSX colors for my laptop screen, I guess they didn't get it right

Nah man, monitors ain't got nothing to do with colors. It's because You've picked completely wrong frame for export - just go with smile, and colors will fall into the right place. :rofl:

RWG/Log3G10 (dpx) => NLE (jpg) :thumbsup:

 

[Christoffer Glans]

Nah man, monitors ain't got nothing to do with colors. It's because You've picked completely wrong frame for export - just go with smile, and colors will fall into the right place. :rofl:

RWG/Log3G10 (dpx) => NLE (jpg) :thumbsup:

hahahah :tongue_smilie:

I tried however to pick white balance on the chart (white), but it went completely nuts. I'm thinking there's some very strange lighting in this material.

 

[Sabovic Adis]

hahahah :tongue_smilie:

I tried however to pick white balance on the chart (white), but it went completely nuts. I'm thinking there's some very strange lighting in this material.

That's Phil's doing...:rofl:

:thumbsup:

 

[luigivaltulini]

ISO is pre LUT. You change the ISO the LUT performs differently.

David

Yes true .
but if I apply the Davinci Lut 709 of log310 be really dark.
Maybe I have some settings out of place.
But something that Goran tells me something


Beautiful this topic, it would be interesting to share the same files and make progress on the color

 

[David Battistella]

If you change your individual clip settings in the resolve color room you will see what I mean.

David

 

[Christoffer Glans]

Do we know anything about BM updating Resolve with a RWG/3G10 color space for the timeline?

 

[Sabovic Adis]

Is there a particular reason not to go with proper R3D to REC.709 trans...eh...form, code...something...the 709/709 (plus sauce not special or secret at all, the Alchemy) in, say, DaVinci? Why the detour to RWG/Log3G10 then looking for the "proper" 709 LUT, if it's gonna end up being 709 anyways?

Sorry, I had to ask, I'm a bit slow. :rofl: