Alexis Vanier
Well-known member
Hi,
Is it normal that RedCineX suppresses corrupt frames? I'm currently dealing with a mag that systematically crashes RCX above 262 when I load a clip into the viewer. Rendering the clip results in a black video being output, and playing the file in RCX262 results in the picture freezing as soon as I hit a corrupt frame.
I really miss the ability of RedAlert to display garbage. No error message and no visual cues makes it very hard to spot corrupt footage.
Could you guys include a "force render of corrupt frames" or "Don't suppress corrupt frames" option in RedLine and RCX?
Anyway, my real problem is that I'm trying to render the clips with the corrupt frames so we can cut around them (there's quite a few of them, corrupt frames that is). RCX is pretty much useless here, and while RedAlert will play back and render the files fine, with the much wanted garbage, it doesn't do so with the right Color Science, which is quite problematic as the footage was shot on stage under tungsten light and I can't replicate the look. Can anyone offer any alternative?
Thanks a lot.
Is it normal that RedCineX suppresses corrupt frames? I'm currently dealing with a mag that systematically crashes RCX above 262 when I load a clip into the viewer. Rendering the clip results in a black video being output, and playing the file in RCX262 results in the picture freezing as soon as I hit a corrupt frame.
I really miss the ability of RedAlert to display garbage. No error message and no visual cues makes it very hard to spot corrupt footage.
Could you guys include a "force render of corrupt frames" or "Don't suppress corrupt frames" option in RedLine and RCX?
Anyway, my real problem is that I'm trying to render the clips with the corrupt frames so we can cut around them (there's quite a few of them, corrupt frames that is). RCX is pretty much useless here, and while RedAlert will play back and render the files fine, with the much wanted garbage, it doesn't do so with the right Color Science, which is quite problematic as the footage was shot on stage under tungsten light and I can't replicate the look. Can anyone offer any alternative?
Thanks a lot.