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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

REDCINE-X Build 487...

Jannard

Jannard

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Build 487:
http://red.cachefly.net/redcinex/test/REDCINE-X_build_487_mac64.zip
http://red.cachefly.net/redcinex/test/REDCINE-X_build_487_mac32.zip

http://red.cachefly.net/redcinex/test/REDCINE-X_build_487_win64.zip
http://red.cachefly.net/redcinex/test/REDCINE-X_build_487_win32.zip


Changes since 478:
Magic Motion HDR blend option added.
BWF audio export added. Camera audio only.
Fix for REDline --outDir option for directory structures.
Fix for crash when going in and out of fullscreen mode.
Framing flip (horz/vert) + offset plus + export fix.
Base names of R3D files shown in the bin/browser.
Miscellaneous crop fixes.
Fixes letterboxing for exports with odd height image data.
Attempting to scale to sizes > 4096 with rocket uses software scalar instead of giving decode errors.
Fix for mouse detection on crop box in Viewer when switching between active eyes in 3D mode.
FCP XML can now be included with Quicktime timeline exports.
Fix for crash for video slate button is pressed when no clip is in the viewer.
Fix for Windows where unicode filenames are properly opened from the command line.
Fix so that Quicktime export errors are all correctly reported in the export details column.
Fix so that video out button is properly disabled if no rockets are available.
Updated various resolution combo boxes with new Epic resolutions.
Tangent Wave CP300 is now enabled on Windows.
Update so Avid ALE file on export uses updated clip look metadata.
Fix for max open file handle limitation on MacOSX which could cause exports to fail.
Fix for properly creating a unique subfolder on export when enabled in the export preset.
Fix memory leak with various message boxes.
EDL import can now use per clip framerate.
Multiple R3D source directories are now supported for EDL/XML import.
Fix so that metadata export now correctly matches that of REDLine's.
Avid ALE files can now be imported.
Fix so that framing tool is properly updated when enabling lock aspect ratio.
Double clicking on a finished export now opens the file if possible.
Relink tool now supports auto linking via search directories.
Fix for crash when the white balance tool is used and no clip is in the viewer.

Jim
 
SWEEEET I wanna go back to work now and try it.
 
Thank you Red Team!
 
There is a responsibility to stay current when you own RED. That means camera firmware and software (REDcine-X).

Jim
 
Jannard said:
There is a responsibility to stay current when you own RED. That means camera firmware and software (REDcine-X).

Jim
Click to expand...

Red is definitely not for people who want to go to work tomorrow and find it just like yesterday. There is always more to learn, more to discover, and more ways to think about imaging.

He who stops moving forward just fades away.
 
Jannard said:
There is a responsibility to stay current when you own RED. That means camera firmware and software (REDcine-X).

Jim
Click to expand...

Hmmm ...

I'm excited about updates, but I'm typically conservative during productions.

I'm not on a Red production now, so I'll probably upgrade tonight and fiddle around, but if I was I'd avoid any updates on the DIT and post systems and the camera until we were done.

Are you advocating a different system? If so what is the thinking behind it?
 
I can find no good reason not to try this out immediately!

Onward and sideways!
 
MMMMmmmmm.... Magic Motion.
 
I think the "Magic Motion HDR Blend" is the most interesting part.
 
I think Magic Motion is a definite upgrade to simple blend. Im impressed.

However, Id like to be able to manipulate the looks for both A and X tracks individually. Since each is a raw capture, I should be able to apply a different curve and look to each track. In other words, be able to select when to do the magic motion, before or after the looks are applied.

In one of my recent shoots I placed a black couple against a huge sunlit window with no fill. On the A track there is face information in the shadow side, and on the X track is blue sky & buildings. With the current tools can use magic motion and then try to apply a curve. However either side of the extreme is lost with those curves. I would think that if i could do individual curves on the A and X track Id be able to better retain all the face information and get some blue sky. (BTW, the shot works as a pure A track shot only, so anything extra is bonus).

Another side benefit of being able to apply looks before the HDRx blend would be different color balances (tungsten interior, daylight exterior) and some funky sci-fi stuff.

For the record, in this shot the girl does a twirl against the windows - and magic motion vastly helps the 'simple blend' motion blur issues with HDRx.
 
Thanks for this new build, Red team !

Which version is considered to be stable and trouble-free on a production ?

Cheers...
 
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