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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

RED vs FILM in a low contrast scene

aspect ratio

aspect ratio

The aspect ratio on B is wrong-stretched B is Red IMO
 
Since I own a Red and can't afford to shoot film, I'm just glad they are so close!

In other words, I don't care which is film! LOL

:001_tt1:
 
I agree with Omar. I'd like to see bigger grabs. You can make the DVX look like 35 in tiny grabs. If the purpose of this is to find out whether or not R1 holds up to a 35mm image, you'll need to post something we can really look at my man!
 
still waiting for the answer Mr. Miguel....
 
PAL resolution

PAL resolution

PAL resolution is only a little less than what you see in a theatre with the lens a little out of focus like it is now since there is no projectionist, see this PDF,

http://www.motionfx.gr/Files/35mm_resolution_english.pdf

At the bottom it seems to say 35mm prints read about 685 lines per image height as projected and viewed.
 
hunterrichards said:
Easy- Camera B is film, Camera A is Red.

"B" just has that kodak look in the skin and overall more tonality, but its extremely close. Thanks for the comparison.
Click to expand...

Hi Hunter,

Yes for people who are exposed to film on a regular basis it's not difficult to see. I am surprised how obvious it is in a low contrast situation.

Best,

Stephen
 
I don't know how to word this the best but B seems to hold the detail in the whites better....don't know if thats a dynamic range thing or what but it seems to that you can make out more detail in the whites of their jackets and the wall as well. But I will concede that they are close.
 
Honestly at that tiny resolution and some tweaking I think an Hv20 or HVX200 could be comparable.
 
Not go there?

From this test, film is muddy, RED image has more pleasing reds and the yellow glow from that door looks better.

So, from this test, RED looks better.

I don't see how I can state otherwise.
 
RED footage can be graded to seamlessly intercut with film, and visa versa. That has been proven time and again. We like film, we like RED.

Jim
 
YING/YANG... FILM/RED... Actually, you know, Jim? That could be your slogan for a "breakout" ad campaign (as if you ever needed formal advertising, anyway):

"Film RED"

I can already see the layouts and boards...

:thumbup1:
 
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