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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

red tribute

R

ralf.luethy

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Location
Munich + Feldafing, Bavaria, Germany
Website
www.field-of-view.com
I recently had the chance to work with "Germany's next topmodel" (season 2) Barbara. She agreed to do a little "motion test" with the RED camera. Since she's a redhead it all kinda made "sense" :sarcasm: ... shot on build 17 with red drives in 2k and 3k with only the 18-50mm lens ... (still waiting on birger to come thru) ... editing FCP, ProResHQ, finishing AE ... I just love this camera... Thank you Red Team!

http://www.fieldofviewfilm.com/fov/film/01_red_one/index.htm
 
Great demo of the camera and your talents.

Can you tell me more about how you achieved this shot (because it is awesome):

03.jpg
 
Rowland said:
Great demo of the camera and your talents.

Can you tell me more about how you achieved this shot (because it is awesome):

03.jpg
Click to expand...

Thank you so much!

Well, I basically used 2 2.5 ARRI HMIs and 2 575 HMIs - each with softboxes.
This frame was shot at 2k @100fps with the 18-50 at 50mm (I think...) shutter @ 100... what else ... handheld, lens wide open ... final grading with After Effects (Color Finesse), retouching with travelling mattes and finally some regraining.
 
Johan Pabon said:
Why is the shutter at 100? I would have expected 200 (haven't found out about varispeed settings yet).
Click to expand...

well, I shot at 100fps, so 1/100s is the slowest shutterspeed the camera would "allow". In other words: "maximum motion blur" :usd:
 
ralf.luethy said:
Thank you so much!

Well, I basically used 2 2.5 ARRI HMIs and 2 575 HMIs - each with softboxes.
This frame was shot at 2k @100fps with the 18-50 at 50mm (I think...) shutter @ 100... what else ... handheld, lens wide open ... final grading with After Effects (Color Finesse), retouching with travelling mattes and finally some regraining.
Click to expand...

I can see the reflection of one of the softboxes in her eye. Where were the other lights positioned? Thanks for the info! Beautiful close-up!
 
The fabric flowing images are great but I would have liked to see a bit more of the model, the colors on her dress and herself are beautiful and we just get too short a glimpse of that. Great clip, nice work!
 
Great images. I agree with Rudi about wanting to see more of the model. Beautifully shot!

As it is, it's an excellent perfume commercial. ....However, as much as I loved the smells of the new camera and gear as I was unboxing it all, I don't think I want my women to smell that way. :)
 
Rowland said:
I can see the reflection of one of the softboxes in her eye. Where were the other lights positioned? Thanks for the info! Beautiful close-up!
Click to expand...

The setup was basically like this:
 
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