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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

RED MX on SUZUKI TVC

I love your work in so many ways and this is no exception. Location choices pacing framing lighting.... Kudos all around.

My only comment is that I find her acting not quite 'in the moment'. You almost feel she can tell she's being filmed.
 
I love your work in so many ways and this is no exception. Location choices pacing framing lighting.... Kudos all around.

My only comment is that I find her acting not quite 'in the moment'. You almost feel she can tell she's being filmed.

Your probably right :)
 
Not to sound like a kiss-ass but Mark is my man on this forum.
OK, there is Tom, David and the RED Team of course but Mark stokes my every time I check out his new work.

You give me hope man because I work pretty much like you. I direct, shoot, edit and grade most of my work by myself as well. It's just too much fun not to. And yeah I'm right on the same page with the Prores 4444 REDLog. That would rock the world if possible by RED. I love my RAW Files but Prores REDLog would give you almost 90% of what you realy need. Specialy today withe the Epic HDR-X stuff coming.

So I hope they will bring it to the epic, with or without a module.

Rock on.
Tim
 
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