Red Komodo Footage/ Review portal

[Tony Evans]

Viking Themed Wedding of Char & James

by MJUK Productions

Shot on RED Komodo
Samyang Cine Lens (VDSLR MkII) Set
Tiffen Black Pro-Mist 1/4
Polar Pro VND - Peter McKinnon edition

 

[rand thompson]

Thanks Tony for posting this, you don't really get to see anything other than traditional wedding ceremonies.

 

[Tony Evans]

Thanks Tony for posting this, you don't really get to see anything other than traditional wedding ceremonies.

I know. Wedding are not my thing, usually, but I couldn't resist a Viking wedding though. So much fun.

 

[rand thompson]

THE ONE | A Blind Dating Short Film

By
joshdotcom

Shot on RED Komodo 6K

 

[rand thompson]

モンゴルの絶景！６泊７日 ドローン空撮旅 全記録 | Mongolian Gobi Desert Trip | CineLifter Drone | RED KOMODO

By
KISSSY

 

[rand thompson]

Botanical Gardens Wedding // RED Komodo 4k

by
Ventura Media

 

[rand thompson]

Way to home 002 (帰路その２) : RED KOMODO 6K footage × Track Tribe “The Thought of You”

by KOMODO diary

 

[rand thompson]

Saint-Paul de Vence 6k Cinematic video

by
Jerash Robin

Red Komodo 6K
Gimbal Ronin 2
Microfono Rode GO

 

[rand thompson]

Los Tres 7 Remix - CSHALOM ft. Bryant Myers & Christian Ponce (Video Oficial)

by
CSHALOM

INSTAGRAM LINK
#redkomodo hashtag on Instagram • Photos and videos

Red Helium/Red Komodo

 

[Massimiliano_Serra]

Ilaria Ricci l'artigiana delle borse
by
STORYTELLS

RED Komodo Cinema Camera
7Artisans Vision 25mm & 35mm
Kodak Gold Dehancer
Artlist Music

 

[rand thompson]

Ilaria Ricci l'artigiana delle borse
by
STORYTELLS

RED Komodo Cinema Camera
7Artisans Vision 25mm & 35mm
Kodak Gold Dehancer
Artlist Music

Thanks for posting this! I like how you brought out the Colors in this video and the skin tone. I also like the "Layout" you chose for this post.

 

[rand thompson]

REST / cinematic experimental short film

by
Atmospheric

Shot primarily on the RED KOMODO

 

[rand thompson]

“An Emerging Artist” With Hilda Robinson

By
Redline Pictures

Shot on RED Komodo 6k

 

[rand thompson]

AIVASCOPE Anamorphic Ultimate Lens Test

By
Northwest Camera Co.

"We test out several rear optical blocks with the Aivascope 1.5x Front anamorphic scope on the RED Komodo. Dulens, Leica R, Canon FD, Contax Zeiss, Sigma, Dzo Vespid"

 

[rand thompson]

RED KOMODO // SNOW DAY : GREAT JOY 50mm

by
Daniel Peters

 

[Massimiliano_Serra]

Thanks for posting this! I like how you brought out the Colors in this video and the skin tone. I also like the "Layout" you chose for this post.

Thank you! about the layout it's just a copy/paste of yours, sometime you only need to copy a well done thing

 

[rand thompson]

REAL Indie Filmmaking - Simple Color Grade for RAW, Behind the Scenes & Post-Production

by Justin Phillip

"Shooting and Color Grading footage shot on RED Komodo 6K and Anamorphic! Simple and best technique for color grading!"

 

[rand thompson]

Unfortunately in Justin's Video above I saw a Few errors in his Davinci Color Managed IPP2 Color Managed Workflow


In his "Camera Raw" Settings, he had the "Decode Quality" set to "Half Res. Good". You wouldn't normally see a big difference between it and the "Full Res" setting, however you're still not getting the Full Resolution of the image and I don't believe I saw him change it back to FULL before he exported the file project. It's okay to set the "Decode Quality" to something lower than "full" to get better playback while you are editing/color grading but it's better to set it back to "full" after you are done with everything. I would have used "16" for bit depth.

He Used "HDR Davinci Wide Gamut Intermediate" for "Color Processing Mode" and he used an IPP2 to Rec709 Transform Lut Also. Unfortunately when he used the "HDR Davinci Wide Gamut Intermediate" Preset he was no longer in a IPP2( REDwideGamutRGB/Log3G10) workflow but a Davinci Wide Gamut/Davinci Intermediate workflow which an IPP2 Creative or Transform Lut is not designed to work in. Plus the IPP2 Lut he chose was designed to take a RWG/LOG3G10 Image to REC709 which is probably why he only chose in the video to use 10% of the strength of the LUT.

These are the "Underlying" settings for that Preset.

He also used an IPP2 to Rec709 Transform LUT with this Workflow.

Here are the Actual Davinci Color Management setting for an IPP2 Color managed Workflow.The "Timeline Working Luminace" of "Custom" and "10000" is just something I'm using and not really necessary, you can use the "HDR1000" if you want to. You can also use whatever " Output Tone Map" and "Highlight Roll-Off" settings you prefer I chose "Medium/Soft".

Any Color Managed IPP2 or Node Based IPP2 Workflow should have an image that matches the Image from REDCINE-X . Here are Three examples of the Original Image with 4200 Kelvin and the Image with an IPP2 designed sample LUT I made for a RWG/LOG3G10 image from REDCINE-X, Davinci Color Managed IPP2 and Justin's "HDR Davinci Wide Gamut Intermediate Preset.

Original Images


REDCINE-X

Davinci Color Managed IPP2

Justin's "HDR Davinci Wide Gamut Intermediate Preset.

Original Images with IPP2 designed Lut applied with same settings above

REDCINE-X

Davinci Color Managed IPP2

Justin's "HDR Davinci Wide Gamut Intermediate Preset.

The Redcine-X and DCM IPP2 images look alike in both examples however the DCM workflow Justin Used looks different in both. Although the Look of the images of Justin's Davinci Color managed workflow looks okay, that look didn't match what came form REDCINE-X which is IPP2 perfected.

 

[rand thompson]

Here is a RED .R3D image with Justin's "HDR Davinci Wide Gamut Intermediate Preset" settings which is designed to take a "LOG" image to REC709.

Here is that Image with a RWG/LOG3G10 to REC709 LUT designed to take a IPP2 Log Image to REC709 at 10% strength

Here is that Image with a RWG/LOG3G10 to REC709 LUT designed to take a IPP2 Log Image to REC709 at 100% strength

 

[rand thompson]

SmallHD Indie 7 + RCP2 Komodo Camera Control Workflow

By LensProToGo