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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Red Komodo Footage/ Review portal

Sun RIse Viewing (日の出鑑賞) : RED KOMODO 6K footage × Anno Domini Beats “Skylines"

By
KOMODO diary


 
Algund - Plars "Trauttmansdorffer Thronsessel"


BY
omegas1978


Shot on RED Komodo in REDRAW 6K50p Ronin RS3
 
How To Auto Focus on RED KOMODO 6K - AI Learning AF RED Control App Demo

by
Carlos Quintero


 
CSI (Trailer) Shot on RED KOMODO

by
Open Gate Productions


 
Travis Becker REEL - SHOT ON RED KOMODO - CINEMATOGRAPHY


by Travis Becker


 
ARRI Alexa Super 35 vs RED Komodo vs Sony a7s III vs Canon R5C - Color

by Veres Deni Alex - Color Grading





Chapters

00:00 Intro
00:16 About
01:51 NakedPixel Rentals
02:05 Settings
02:31 ONE Important Detail
03:22 Sony 10 bit 422
04:02 Sony Film Simulations
04:17 Converting to Rec709
04:35 Blind Color Test
05:26 Color Comparison
07:19 Dynamic Range Comparison
12:47 Noise Performance
17:28 Recap
18:30 Color Grade Test
18:40 Importing & Applying Power Grades
19:01 KineRec 16mm Film Print
19:18 Color Stress Test
21:04 Results
21:24 Conclusions
22:24 New Tutorials
 
Here's my response to Jon Pais, Who made some good points in another thread about this test, which made me think about the usefulness of the test I posted.



Jon Pais said:
I could only stand to watch 8 minutes. They all look like they were shot with a potato. Supposed to be rec.709 but looks like log. It looks like it was made just to promote his LUTs.
Click to expand...

Jon,

Yeah I was a little disappointed also, however I posted it for whatever informational value anyone could get from it. I thought they would have probably gotten better results with the all the cameras if they would have used the manufacturers Transform Luts instead of the Color Space Transforms.


Plus I don't know what RED CAMERA RAW or PROJECT SETTINGS he used nor what COLOR SPACE TRANSFORM SETTINGS he used for the Komodo which looks bad or any of the other cameras.
 
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