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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Red Komodo Footage/ Review portal

"Rick's Garage" | RED KOMODO 6K

by
Matthew Cole




RED Komodo 6K Super 35 | 2:4:1 | 24FPS Sigma 50-100 mm Polar Pro Circular Polarizer, Variable ND 2-5, and Mist Diffusion Filter
 
Portkeys BM5 iii Wireless Control Monitor for RED KOMODO 6K

by

Mateo Allen

 
Night Dive

by
Ignacio Walker




''Just having some fun while playing with new Kelvin Lights and the RED Komodo in a Gates Underwater Housing.''
 
COLA FPV : LEO'S INVITATIONAL RED KOMODO EDIT


by COLA


 
Holy Spirit Easter Mass 2022 Red Komodo 6K Canon 24-105 RF R3D rec 709

by Tri Tran Fine Art Photography

 
DZOfilm 'Koop' Rear Filters - A LOT OF FUN!


by Peter Baerveldt



"Another crazy innovative DZOfilm product. A rear mounted filter is quite unique and a lot of fun to try out. It changes your options when using filters. For better and worse.In this video I'll teach you how to use the filters and so quick times."

SHIMS NEEDED:
UV & ND + 0.50mm
Blue streak & Mist + 0.70mm

Timecode:
intro - 00:00
unboxing - 01:19
change the PL-mount - 02:19
custom bokeh - 03:40
after thoughts - 04:30

Product Links:
WEB: https://www.dzofilm.com/

Check out my 35mm, 16mm & 8mm film look LUTS here:
https://sellfy.com/peterbaerveldt/p/c...

Camera Kit:
RED Komodo -
DOZfilm vespid primes (PL) -
Atomos shinobi SDI -
Peak Design carbon tri pod -

Studio Kit:
RED Komodo -
Sigma 18-35 1.8 -
Vaxis Atom 500 SDI -
Vaxis A5H RX monitor -
Nanlite Forza 60 -
 
Red Komodo 6K x Canon FDs - West Fjord's

BY

FilmBandit

 
Make Money Online in 2022 Selling Stock Video | 3 Mistakes to Avoid

by
CINE-V





Camera: RED KOMODO
 
MV จำไว้ (Won’t Back Down) Ost. Mafia The Series: Guns & Freaks - ALIZ

By

Jobfilm




Camera : RED V-Raptor 8k, RED Komodo 6k
Lens : Canon FD TLS
 
C70 vs KOMODO

By

Vini Bock




Both cameras
ISO 800
WB 5600
Shutter 180
Lens - Zeiss ZF 50mm @ F2.8

RAW to ACES colorspace than to REC709
 
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