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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Red Komodo Footage/ Review portal

Drive2Extremes - Taycan Cross Turismo X Johnny FPV


By Johnny FPV




"We Shot the entire film on the RED Komodo and FreeFly Wave camera (with the exception of flying through the window, GoPro)".
 
RED Komodo Full Body Protection Skin


Alphagvrd Website
https://alphagvrd.com/collections/f...tection-skin-pre-order?variant=39572651507850

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A few sample skins

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And I spent an extra $1K for the ST model. I could have waited and skinned it, but I would probably still be waiting for the camera.
 
Lars,

I think it should be fairly easy to discern an authentic "Stormtrooper " from a "Skinned" version. Your Authentic Stormtrooper Komodo will always be more valuable.
 
Lazin UK magazine - ‘InBetweeners’ (RED Komodo DZOFILM vespid primes fashion film)


By White Raven Productions


 
Abby Holliday - 8 Hours | NPR Tiny Desk Contest Submission 2021


by
Abby Holliday




Red Komodo


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EXPRESSION


By Sewi



Shot on RED Komodo ST with Canon 24-70 L II, 35 L II
 
Beyond Content Drone Showreel 2021


By Beyond Content




Red Komodo

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a Small story of Jewelry smith // Red komodo 6k


By
Mogo VFX


 
New job announcement Video Shot on Komodo

New job announcement Video Shot on Komodo

I shot this for my wife to announce her new job.... more of a test than anything else :) make sure to make it 4k :)

https://vimeo.com/544099576
 
Red Komodo and Voigtlander Nokton night test 4k


By xxiii


 
DZO Pictor Zoom Review // feat. RED KOMODO

Komodo /Pictor Zoom combo footage starts at about the 4:13 minute mark.

By Paule Porter DP


 
Indestructible X Pfaff Harley Davidson Helmet | RED Komodo 6K


By Julian Zakrzewski


 
W A T E R C O L O R | Travel Film (RED Komodo 6K)


by
Taylor Morgan




Shot on a Red Komodo in 6K wide 24p LQ.
The only lens used was a vintage Nikon 20mm f/2.8 with a Tiffen Black Pro Mist 1/4 filter.
Everything was shot handheld, no post-stabilization.

The few aerials were done with a DJI Mavic 2 Pro.
 
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