- Moderator
- #21
Jeff Kilgroe
Well-known member
Hehe... I know all about taking minimal gear into the wilds. Better than half of my shoots are me alone or occasionally with an assistant and we're out in the middle of nowhere. You can download that fast on a PC notebook or Macbook Pro. Just gotta have the right connections and gear. I rarely use a tower for DIT work. Actually had the '08 Mac Pro on my DIT cart die (just barely still on AppleCare too!) and when it was replaced with a new '10 Mac, I made it my new primary workstation and never put the DIT cart back together. My approach lately with EPIC is to be as self-reliant as possible. I take enough media to get me through the day (and then some) and worry about unloading it later unless I have a good reason to handle it in the field. Less equipment to carry and less potential risk of something bad happening by copying over to hard drives. If I do copy in the field, it would be for backup and/or immediate hand-off at the end of the day, I don't wipe the camera media. So yeah, I'm walking around with EPIC and 5 to 7 of the 256GB SSDs plus a few 128's. Expensive, but as the various ad agencies and bigger corporate clients get more in tune with how all this works these days, they're willing to pay for it. If you have the contacts for the work, it's a lot easier to swallow. If you're an indie filmmaker owner/op trying to pull rentals and small jobs to pay for the gear, it's a tough nut to crack.
You do bring up a good point though. All the RED Ones now equipped with SSD modules are probably the best reason for RED to make such an adapter.
You do bring up a good point though. All the RED Ones now equipped with SSD modules are probably the best reason for RED to make such an adapter.