Rodrigo Ara
New member
Hi everybody,
First of all, sorry for my English, is no my native language. Well, my problem is that I don´t know how to reconform to Native or Prores 422 HQ in final cut, when I worked all my edition with proxys to send to color. We shooted in 2K and worked with F proxy quality. The reason I choose to work with proxys, is the time that take to convert to Apple Prores 422 HQ with a lot of material. Also I did some tests sending a sequence edited with proxys (F quality) to Color, but the problem was that in color some cuts did not appear and when I rendered color repeat frames...
Thanks to all
First of all, sorry for my English, is no my native language. Well, my problem is that I don´t know how to reconform to Native or Prores 422 HQ in final cut, when I worked all my edition with proxys to send to color. We shooted in 2K and worked with F proxy quality. The reason I choose to work with proxys, is the time that take to convert to Apple Prores 422 HQ with a lot of material. Also I did some tests sending a sequence edited with proxys (F quality) to Color, but the problem was that in color some cuts did not appear and when I rendered color repeat frames...
Thanks to all